HISTORY OF THE TAPESTRY 11
THE LATIN INSCRIPTIONS WITH A TRANSLATION 14
THE PHOTOGRAPHIC COPY OF THE ORIGINAL 19
NOTES ON THE ILLUSTRATIONS 20
BIBLIOGRAPHY 28
INDEX 29
LIST OF ILLUSTRATIONS.
_Frontispiece_:--Harold Enthroned
PLATE I. King Edward the Confessor and Harold.
” II. The Oath of Harold.
” III. King Edward in his Palace.
” IV. The Church of S. Peter at Westminster.
” V. The Coronation of Harold. Stigand.
” VI. The Comet.
” VII. Building Ships.
” VIII. A Feast.
” IX. Odo. William. Robert.
” X. Burning a House.
” XI. The Battle of Hastings.
” XII. The Death of Harold.
FIG. 1. A Lion p. 1
“ 2. Ploughing p. 9
“ 3. Harrowing p. 14
“ 4. Fowling p. 18
[Illustration: FIG. 1. A LION (_see_ p. 27).]
I.--THE BAYEUX TAPESTRY.
The Bayeux Tapestry is probably the most famous and the most remarkable
of mediæval embroideries. In it is given the complete story of a great
exploit and one that must always be of particular interest to the
English and French peoples--the story of the Norman Conquest. None of
the main incidents leading up to the Conquest itself are omitted. The
arrival of Harold in Normandy, his stay with William, his swearing of
loyalty, his return to England, the death of Edward the Confessor, the
subsequent election of Harold to the throne of England, with the
expedition itself culminating in the Battle of Hastings, are all shown
in the course of the story. It is as much a defence of William’s conduct
as a history of his triumph.
The Tapestry is generally considered to be contemporary, or almost
contemporary, with the events it portrays, and it is evident that if
such be the case it is an historical document of the very first
importance. Certain archæologists have indeed maintained that it was not
made till 50 or even 200 years after the Conquest, but their arguments
have not generally been found convincing, and the claims of those who
consider the Tapestry a contemporary document may be said to have held
their ground. Historians like Freeman, Mr. J. H. Round, and Professor
Oman have not hesitated to draw their conclusions from it, and it
remains an inexhaustible storehouse of information regarding the social
life of England and Normandy during the 11th century.
Public-domain text, read in full here on John Shaqi.
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