It may be noticed, generally, that the story is presented with a strong
bias in favour of the Normans, and there are large discrepancies between
the account given here and that which, descending through Freeman from
Florence of Worcester, is served up to English readers, whose sympathies
are still supposed to be enlisted on behalf of Harold. It has been
usually taught in England, for instance, that Harold only landed in
France by mistake through being caught in a storm, and that this
advantage was seized by William to the undoing of the man who was his
guest. The story told in the Tapestry is very different.
In the first scene (PLATE I.) King Edward the Confessor is giving
instructions to Harold, who immediately, with a large cavalcade of men,
horses, dogs and falcons (2), sets off in the direction of the coast. He
passes Bosham, where he enters the church and prays (3), conduct that
is, perhaps, intended to appear hypocritical in the light of future
events. After these religious exercises Harold and his company repair to
a neighbouring house and refresh themselves with food before setting out
again on their journey. They then cross the sea (4, 5, 6). No storm is
shown and the Tapestry has the inscription “HIC HAROLD MARE NAVIGAVIT ET
VELIS VENTO PLENIS VENIT IN TERRA WIDONIS COMITIS” (“Here Harold set
sail upon the sea and with sails full of wind came to the land of Count
Guy”). This cannot well mean a storm but a favourable voyage. Harold had
always intended to come in to France. He had in the first scene had an
interview with Edward in which he is presumably intrusted with a message
to William, which he crosses the sea to deliver. If this message were to
state Edward’s wish that William should succeed him on the Throne of
England, how treacherous becomes Harold’s conduct. Yet this is what the
Tapestry silently suggests. On landing he is immediately seized (7) by
Count Guy of Ponthieu, into whose territory he is come, and is carried
off by him to his castle of Beaurain (8, 9).
Public-domain text, read in full here on John Shaqi.
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