Some years after Mrs. Boxall removed to London, Mr. Burton, the
music-master, died. They had lived from hand to mouth, as so many
families of uncertain income are compelled to do, and his unexpected
death left his wife and child without the means of procuring immediate
necessities. Inheriting the narrowness and prejudices of his descent
and of his social position to a considerable degree, Mr. Boxall
had never come to regard his sister's match with a music-master as
other than a degradation to the family, and had, in his best humors,
never got further in the humanities of the kingdom of heaven, than
to patronize his brother-in-law; though if size and quality go for
anything in existence itself, as they do in all its accidents, Richard
Boxall was scarcely comparable, honest and just man as he was, to Cecil
Burton; who, however, except that he was the father of Lucy, and so
in some measure accounts for her, is below the western horizon of our
story, and therefore need scarcely be alluded to again. This behavior
of her brother was more galling to Mrs. Burton than to her husband, who
smiled down any allusion to it; and when she was compelled to accept
Richard's kindness in the shape of money, upon the death of Mr. Burton,
it was with a bitterness of feeling which showed itself plainly enough
to wound the self-love of the consciously benevolent man of business.
But from the first there had been the friendliest relations between the
mother and daughter, and as it was only from her determination to avoid
all ground of misunderstanding, that Mrs. Boxall had not consented
to take up her abode with the Burtons. Consequently, after the death
of Mr. Burton, the mother drew yet closer to the daughter, while the
breach between brother and sister was widened.
Public-domain text, read in full here on John Shaqi.
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