So, when the Sun in bed,
Curtain'd with cloudy red,
_Pillows his chin upon an orient wave_.
But the child laughed so queerly, that it was impossible to tell
whether or how much those were her real ideas about the sunrise.
"How is your father?" Lucy asked.
"Do you mean my father or my mother?"
"I mean your father, of course, when I say so."
"Yes, but I have a mother, too."
Lucy let her have her way, for she did not quite understand her. Only
she knew that the child's mother had died two or three years ago.
"Well," resumed the child, "my father is quite well, thank God; and so
is my mother. There he is, looking down at us."
"Who do you mean, Mattie?" asked Lucy, now bewildered.
"Well, my mother," answered the child, with a still odder half smile.
Lucy looked up, and saw--but a little description is necessary.
They were standing, as I have said already, in the flagged passage
which led to, and post-officially considered, formed part of Guild
Court. The archway from Bagot Street into this passage was as it were
tunneled through a house facing the street, and from this house a
wall, stretching inward to the first house in the court proper, formed
one side of the passage. About the middle, this wall broke into two
workshops, the smallest and strangest ever seen out of the east. There
was no roof visible--that lay behind the curtain-wall; but from top
to bottom of the wall, a hight of about nine feet, there was glass,
divided in the middle so as to form two windows, one above the other.
So likewise on the right-hand side of the glass were two doors, or
hatches, one above the other. The tenement looked as if the smallest
of rooms had been divided into two horizontally by a floor in the
middle, thus forming two cells, which could not have been more than
five feet by four, and four feet in hight. In the lower, however, a
little hight had been gained by sinking the floor, to which a single
step led down. In this under cell a cobbler sat, hammering away at his
lap-stone--a little man, else he could hardly have sat there, or even
got in without discomfort. Every now and then he glanced up at the girl
and the child, but never omitted a blow in consequence. Over his head,
on the thin floor between, sat a still smaller man, cross-legged like a
Turk, busily "plying his needle and thread." His hair, which standing
straight up gave a look of terror to his thin, pale countenance, almost
touched the roof. It was the only luxuriance about him. As plants run
to seed, he seemed to have run to hair. A calm, keen eye underneath
its towering forest, revealed observation and peacefulness. He, too,
occasionally looked from his work, but only in the act of drawing the
horizontal thread, when his eyes had momentary furlough, moving in
alternate oscillation with his hand. At the moment when the child said
so, he was looking down in a pause in which he seemed for the moment to
have forgotten his work in his interest in the pair below. He might be
Public-domain text, read in full here on John Shaqi.
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