"Well," Charles resumed, looking down again, "I mean just like this
same sky over St. Luke's Work-house here. Lord! I wonder if St. Luke
ever knew what kind of thing he'd give his medical name to! When I feel
like that, I never dream of putting on lavender trousers, you know,
Tom, my boy. So I can't understand you, you know. I only put on such
like--I never had such a stunning pair as those--when I go to Richmond,
or--"
"Of a Sunday, I believe," said Worboise, settled.
"Of a Sunday. Just so. The better day, the better deed, you know, as
people say; though, I dare say, you don't think it."
"When the deed is good, the day makes it better. When the deed is bad,
the day makes it worse," said Tom, with a mixture of reproof and "high
sentence," which was just pure nonsense.
How much of Thomas's depression was real, and how much was put on--I
do not mean outwardly put on without being inwardly assumed--in order
that he might flatter himself with being in close sympathy and harmony
with Lord Byron, a volume of whose poems was at the time affecting the
symmetry of his handsome blue frock-coat, by pulling down one tail
more than the other, and bumping against his leg every step he took--I
cannot exactly tell. At all events, the young man was--like most men,
young and old--under conflicting influences; and these influences he
had not yet begun to harmonize in any definite result.
By the time they reached Bunhill Fields, they were in a gray fog; and
before they got to the counting-house, it had grown very thick. Through
its reddish mass the gaslights shone with the cold brilliance of pale
gold.
The scene of their daily labor was not one of those grand rooms with
plate-glass windows which now seem to be considered, if not absolutely
necessary to commercial respectability, yet a not altogether despicable
means of arriving at such. It was a rather long, rather narrow, rather
low, but this morning not so dark room as usual--for the whole force
of gas-burners was in active operation. In general it was dark, for it
was situated in a narrow street, opening off one of the principal city
thoroughfares.
As the young men entered, they were greeted with a low growl from
the principal clerk, a black-browed, long-nosed man. This was the
sole recognition he gave them. Two other clerks looked up with a
_good-morning_ and a queer expression in their eyes. Some remarks had
been made about them before they entered. And now a voice came from the
_penetralia_:
"Tom, I want you."
Tom was disposing of his hat and gloves with some care.
"You hear the governor, Mr. Worboise, I suppose?" said Mr. Stopper, the
head clerk, in the same growling voice, only articulated now.
"Yes, I hear him," answered Thomas, with some real and some assumed
nonchalance. "I do hear him, Mr. Stopper."
Public-domain text, read in full here on John Shaqi.
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