Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
“And, indeed, even in one who could not boast of belonging to the
land in which printing was invented, the universal and mighty
effects of this art, when rightly considered, would produce almost
a corresponding enthusiasm. It is difficult to look upon the great
changes that have been effected during the last four centuries, and
which are still in progress everywhere around us, and not connect
them with printing and its inventor. The castles on the Rhine, under
whose ruins we travelled back from Mentz, perished before the powerful
combinations of the people of the towns. The petty feudal despots fell
when the burghers had acquired wealth and knowledge. But the progress
of despotism on a larger scale could not have been arrested, had the
art of Gutenberg not been discovered. The strongholds of military power
still frown over the same majestic river. The Rhine has seen its petty
fortresses crumble into decay. Ehrenbreitstein is stronger than ever.
But even Ehrenbreitstein will fall before the powers of the mind.
Seeing, then, what, under God, intellect has done and is doing, we may
well venerate the memory of Gutenberg of Mentz.”
[Illustration]
[Illustration]
XXI.
Modes of making Type.--Varieties of Type.--Cylindrical
Ink-distributor.--A Modern Printing Establishment.--Composition
Room.--Cases.--Proof-reading.
Let us now glance at the Art of Printing in modern times.
In the making of types, formerly each letter was cast, and then
finished one at a time, by hand. Now there is a process of
manufacturing the copper face by machinery, the operation being
effected by the pressure of a sharp die upon copper. And it is said
that a small steam-engine can produce one type a second, or thirty-six
thousand in ten hours.
By the more ordinary process, types are made by casting type-metal
in a mould, though some of the larger sizes are manufactured from
maple, mahogany, or box-wood. The process of casting type, which is
the business of the type-founders, requires great skill. In the first
place, a punch is cut, of the letter to be formed, except that it is in
reverse. The punch being of hardened steel, and having this letter on
its point, is then struck into a small piece of copper, which is called
the _matrix_, or form of the letter to be cast. The matrix is now
fixed in a curiously contrived instrument, termed the mould, attached
to a compact hand machine, having in the centre a small furnace of
burning coal to keep the vessel of type-metal over it liquid. The
workman turns a wheel, thus forcing melted metal into the mould, which
quickly shapes and drops one after another the types, perfect, save
polishing. In some foundries there are twenty of these machines. In
this way not only every letter, but every figure, hyphen, comma, or
other mark, must have its punch and matrix, as well as its separate
casting. One machine will cast one hundred types a minute.
[Illustration: Metal Type.]
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