Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
Type-setting by Machinery.--Its Practicability.--Various
Machines devised.--The Brown Type-setter and Distributer
described.--Simplicity.--Reliability.--Speed.
In the last chapter we described type-setting by hand. Let us now for
a few moments look at the method of doing this by machinery. This is
the last achievement of that inventive enterprise which we have seen
to be so efficient in all the history of the art; and it deserves
some mention here, both for what it already is, and for what it so
confidently promises. On witnessing this most interesting and curious
operation, one wonders, first, that such a work, apparently requiring
the constant exercise of mind and intelligence, can be so rapidly and
perfectly done by machinery; and then, observing the simplicity of the
instruments and the certainty of their work, one wonders again that it
has never been done before.
It is our aim in this history to illustrate the prominence machinery
has held in the several departments of the art, and how much our
literature and books owe to its aid; and it is remarkable that
this work of setting and distributing types is the only branch of
the printer’s art which has not yet received its share of aid from
labor-saving expedients. When we consider the great improvement which
has been made in presses within the past few years, whereby the
number of impressions is multiplied from 250 to nearly 30,000 per
hour, and when, on the other hand, we consider that in the department
of type-setting these four hundred years have brought no advance or
improvement, but that this work is done in precisely the same slow
manner in which the inventor of movable types first ranged them into
line in the fifteenth century, it is strongly suggested that the
contributions of genius have not been altogether impartial and just,
and that here remains a great field of inventive enterprise as yet
uncultivated. And when it is further considered that in the estimate
of our most extensive publishers full half the present cost of our
books and periodicals is in the labor of setting the types, the
question urges itself, How has it happened that this important branch
of human industry has been so overlooked by inventive genius? Is there
any inherent difficulty which makes it impossible to do the work of
type-setting by mechanical appliances? The wonderful adaptation of
machinery to all other forms of human labor and service suggests
antecedently that it must be possible also here. Led by this faith in
the possibility of the thing, and urged by the actual necessity of
doing something to expedite this branch of the work, many inventors
have of late years been studying upon this problem. But the mechanical
type-setter is essentially a modern invention: it is the contribution
of this age to the art. About twenty years cover the whole period of
these efforts. It seems to be a law of human progress that a number of
failures must precede the successful effort, every failure contributing
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