Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
its quota to the ultimate success, either through its suggestions of a
better way, or by serving as a warning and indication how _not_ to do
it.
Several type-setting machines have been devised, some of them very
ingenious; but one after another failed to stand the test of actual
work. It is not, however, half so strange that many should fail as
that any should succeed in so great and delicate a work. So vast and
difficult is the problem, that many of the best mechanicians of our
day, whose knowledge of the capabilities of machinery gives their
judgment peculiar weight, have pronounced it an impossibility, and have
classed these efforts with the fascinating but visionary chase after a
method of perpetual motion. But inventors are a peculiar race, as is
seen in the case of Gutenberg, especially endowed with an indomitable
faith in the possible; and they are continually attempting and doing
things with little other apparent motive than the fact that the world
has supposed them impossible.
The inventor of the machines we have examined, Mr. O. L. Brown, of
Boston, has made a careful study of the subject for years, and seems
finally to have found the secret, both of simplicity and success.
Especially is the device for setting the types so simple that it might
perhaps more properly be called an instrument than a machine. The
Type-distributer strikes one as more curious and wonderful, inasmuch
as it is entirely automatic, and is operated by steam; but it is an
adaptation of one of the most common and familiar mechanical principles.
The Type-setter comprises a case, a stick, and a justifier. The case
consists of a series of grooves or channels ranged side by side, each
just wide enough to receive a line of type. There is no limit to this
case, either in the number of channels, or their length. In these
channels, the types stand upon their feet, and the case is set at
such an angle that they slide downward by their own gravity, and rest
upon the bar which closes the lower ends. Across the foot a shield is
placed, provided with openings for the types to pass through as they
are set; and an index, showing the letters and sorts which the case
contains. Corresponding openings in the rear allow the tongue, which
forces out the letter, to enter.
Public-domain text, read in full here on John Shaqi.
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