Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
The four corners of the pan are not square; and as the iron cover does
not fit into the grooves, there is access to the interior of the pan
by this means. Down them, then, the founder pours the lead, dipping
it from the boiler, until it fills up completely all the little type
openings in the plaster moulds. Then the crane lifts it and swings it
over to the trough by which the boy is standing. It is lowered into
the water to cool, after which a crane swings it over to the wooden
standard, where one is waiting to be opened. The handle is removed, and
then the founder, taking a heavy hammer, knocks off the lead at the
corners and edges, where it has sealed up the iron lid on the pan. The
cover is removed, and the contents of the pan taken out. The plaster is
chipped off and thrown away; but now are seen lead plates of the size
of the plaster moulds, having their surface raised in letters, just as
that of the moulds was sunken in letters. The plates are about double
the thickness of the slates used in schools.
These plates are cooled, and washed free of plaster in the trough,--the
boy in the picture is now doing this,--when they are ready to go into
the finishing room, to be trimmed, planed, picked out, corrected, and
generally made ready for use in the printing-office.
In the first place, the plate is trimmed at the edges, and planed in
a planing-machine, which shaves off, from the back, strips of the
rough lead. It is beveled also; that is, the edges are shaved down
in the left hand of the three smaller machines shown in this picture:
the object of the beveling is to secure the plate afterward, when it
comes to be put on the press. It is also picked out: a workman goes
over the lettered surface with a sharp tool, clearing out letters
which have accidentally become filled up with lead, and correcting all
inaccuracies of form which he discovers.
[Illustration: Planing and Beveling.]
The man at work in this picture is planing the back of the plate
again, for the purpose of getting the requisite thickness. The knife in
this plane makes one shaving of lead, which rolls up as it leaves the
plate, like any fine shaving. To take off another shaving, a piece of
pasteboard is placed under the plate, by which it is raised a trifle
higher, and so again brought under the knife.
[Illustration: Correcting Stereotype Plates.]
A proof is taken on a common hand-press, and with this proof before him
the corrector marks such letters as were overlooked when the plate
was picked out. This proof goes into the proof-reader’s room again,
who now goes once more over the page, to see if everything is right;
and after he has marked it, back it goes to the corrector, who now,
with the printed proof-sheet before him, makes the corrections that
are required. If, for instance, a letter is set up wrong, as _pan_ for
_pen_, and has been overlooked by the proof-reader, and the plate is
cast, what is to be done?
Public-domain text, read in full here on John Shaqi.
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