Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
The corrector takes a sharp tool, and punches a hole through the plate
where the interloper is, just the size of the type, and then restoring
a common type _e_, through the opening, cuts it off even at the back
of the plate, and solders it in its place with lead. In this way a
whole line of type is sometimes introduced for an incorrect line in the
plate. The corrections being made, the plate is ready for the press.
When not in use, the plates, being very valuable, are carefully put
in a box,--a large book requiring several boxes. They are stored in
fire-proof safes, made for this purpose.
While books are generally stereotyped, woodcuts are always
electrotyped. Instead of being moulded in plaster, the cut or
illustrated page goes into the electrotype room, to be moulded in wax.
[Illustration: Moulding in Wax.]
Let us look at the process.
A brass case, or very shallow, oblong pan is filled with liquid
beeswax, which stands until it has hardened. The form containing the
pages of type, well covered with fine black lead, is placed upon
the bed of the press, shown in the picture; the face of the type
is uppermost. There is an upper bed, which in the picture is swung
half-way back. This is swung all the way back, and upon it is secured
the brass case of wax. When the upper bed is brought back again, the
wax face will of course be downward, and thus will be ready to receive
an impression from the form of type resting on the lower bed; this
lower bed is movable, and is gently raised by a screw until it presses
into the wax, after the press is tightened, and now the soft wax
receives the exact impression of the type; and the upper bed being
swung back, the brass case, with its wax mould, is removed. We have got
just as far, in fact, as when the plaster in stereotyping was ready
to receive the casting. In the battery, a corner of which is seen in
the picture, are hung one, two, three, or more copper plates; and from
rods running parallel are hung the cases containing the wax moulds, one
being hung on either side of the brass plate facing it. The positive
pole is attached to the case, the negative to the copper plate; and the
connection being made, a thin film of copper appears on the surface
of the mould. This coating increases the longer the mould remains in
the battery. After ten or twelve hours it is removed, and the result
is a shell, as it is called, of the thickness of thin pasteboard, the
upper surface a perfect _fac simile_ of the original page of type or
wood-cut, every line, and every imperfection too, being reproduced. The
under surface is exactly parallel; for each projection on the upper
surface there is an indentation in the lower.
[Illustration: The “Guillotine.”]
Public-domain text, read in full here on John Shaqi.
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