Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
How could he retrieve his losses, and gain means to bring out other
discoveries? He revolved the matter while Anna slept, and, rising with
early dawn, took impressions of the “St. Christopher.” At breakfast he
told his wife of his purpose to sell them to his neighbors. She warmly
approved, and offered to arrange them in the shop, greatly to the
relief of Gutenberg, who answered with emotion,
“So thoughtful of thee, my Anna; and our necessity urgeth speedy sales.”
“Aye, they shall beautify the shop,” said the little lady as she
arranged the cuts, placing one here, another there, and viewing the
effect of the light, and hied her to the adjoining room, just when Mrs.
Anna Schultheiss stepped into the shop on her way home from market. Her
dowry jewels were being reset, and she was anxious to get them.
“My jewels not done yet!” she exclaimed, “All, indeed, master, and how
can I go to the marriage-feast, wanting them?”
“Be content, mistress,” replied Gutenberg; “thou shall have them at
sunset.”
“Thanks, good master; but what pictures are these?” glancing around
the room as she spoke. As he passed one for her inspection, she cried:
“Mirabile! the good saint! See him bearing the infant Jesus over the
water. How could the child have forded the stream without him? Wrap
the picture nicely, and I will take it home with me. My husband is a
formschneider, and thou mayst need his aid.” Gutenberg crimsoned, but
gave her the cut on her own terms, and she bore it away with delight.
When next a neighbor called, and after admiring the prints, purchased
one, the inventor breathed more freely; and the lively sound of his
graving tools soon indicated how greatly encouragement lightened his
toil.
Others, however, calling to purchase gems, chose the pictures. At the
evening meal Anna was radiant, and congratulated her husband that the
pictures found a ready sale.
“Nevertheless, I have lost money to-day,” replied he, a little
depressed.
“Ah! and how did it happen?”
“Those who purchased prints had purposed to buy gems, and a fair
estimation makes me the loser. The pictures draw attention from my
jewels and mirrors, and do not return an equivalent. I fear the two
pursuits will so conflict as to prevent success with either!”
Anna was illy prepared for this intelligence, and urged, “But thou wilt
do better when used to both labors. Moreover, I can aid thee. Did I not
arrange the cuts? And when the wood-carrier admired my print, did I not
sell him one, and allow him to bring wood in payment?”
“Thou hast well earned a benediction,” returned the husband, smiling.
“When dost thou go to Nôtre Dame Cathedral?” asked Anna.
“When I shall have finished the Father’s jewels. I must confess to
thee, dear, as before, that in engraving blocks I have lost ground in
my trade.”
“Nevertheless,” replied Anna, bent on dispelling his despondency, “it
is a favorable omen that thy handicraft of pictures is of the saint
that shieldeth from evil.”
Public-domain text, read in full here on John Shaqi.
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