Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
“Not at once,” replied Gutenberg. “But if the copyists should get a
hint of what this invention can do, they might seek to crush it.
Moreover, the art is only begun; I learn something new day by day; and
I have confided my secret to you, that as a firm we may bring it to
perfection.”
The sequel of the interview was that a written contract was drawn up by
Gutenberg, who was a ready writer, and signed by them all, binding the
parties for the term of five years on two conditions:--
First, that they pay Gutenberg the sum of two hundred and fifty
florins; one hundred immediately, and the remainder at a certain fixed
period. Second, that if any one of the partners should die during the
time of the copartnership, the survivors should pay to his heirs the
sum of one hundred florins, in consideration of which the effects
should become the property of the surviving partners.
Other items followed; and, above all, the profoundest secrecy was
enjoined.
Business, however, went on as usual through the day; and a customer
chancing in Gutenberg’s work-shop would not have dreamed of the
existence of the secret firm to prosecute the new art. Dritzhn wrought
as if in deep thought; but if at times he seemed to loiter, he made out
his quota of work ere the day’s decline. Hielman polished as usual on
mirrors; and Riffe, although burdened with the secret, kept at work
with his old cheerful whistle.
When evening came, a second conference was held at the home-room of
Gutenberg’s house, when Riffe also took the oath of secrecy, and signed
the contract. But Gutenberg was oppressed with foreboding. Since his
hidden occupation of the engraved blocks had been discovered by Dritzhn
and Hielman, he saw that others also might find it out. On mentioning
his anxiety to the firm, Dritzhn at once replied that the business
ought to be removed to a more retired place, and made offer of his own
upper room. After examination, Gutenberg decided to make the change,
and a part of the engraving apparatus was forthwith carried to that
place. In order, however, to cover appearances, and also meet expenses,
it was judged best for Hielman and Riffe to continue the lapidary and
mirror department, as usual, in the front shop, while Gutenberg and
Dritzhn were to spend a portion of their time in engraving blocks in
the upper room of the latter, although some of the work was still done,
as before, at the inventor’s cottage. This arrangement seemed necessary
to make the twofold occupations thrive. Hielman and Riffe still needed
much instruction in gem and mirror polishing, and they had also the
advantage of regular lessons in engraving, to which they were entitled
by the articles of agreement.
Public-domain text, read in full here on John Shaqi.
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