Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
“Let us go at once,” immediately returned the wife; “it must be
delightful. Why cannot De Becktoff de Hanau come and help us remove?”
alluding to an old servant and valet of the Gutenberg family, who, like
others of their servants, had been allowed to hire himself out, since
he could not be maintained.
“A good thought, wife; he shall take charge of our goods, and we
shall avoid some of the fatigue of a second removal. I will bring him
hither;” and Faust having taken leave, Gutenberg hastened to find the
old valet.
[Illustration]
[Illustration]
XIII.
The Zum Jungen.--The Old Valet.--A Happy Change.--Going over the
Process anew.--Type of Lead.--Peter Schoeffer.
The Zum Jungen, that famous old house on the Rhine, was engaged;
the articles of agreement duly drawn up and signed. Faust advanced
2,020 florins, taking a mortgage of Gutenberg’s printing materials as
security; and the firm, having removed their families to the building,
commenced operations in the printing rooms. Hanau, the valet of the
elder Gutenberg, was especially serviceable in the removal, and was
soon installed as a faithful helper in the office.
“What think you of this?” said Gutenberg to Anna one morning, soon
after the settlement in their new quarters, as they stood on the
balcony that overlooked the river.
“O, it is so beautiful!” she replied. “Never will I tire of this
scenery. There; do you see those swallows sitting so still upon their
nests under the roofs? Now one flies off zigzag to the ground, after a
worm; now she bears it back, perches upon her nest, and chippers with
her little ones as they eat their breakfast. Hear them chatter! Then
how fragrant the flowers! How pretty the hills, clad in vineyards! I
feel at home already, and I mean to be happy, and let no foreboding
trouble me. I do not yet ride in a coach, and dine like a queen, but my
home is in a palace. How good it was in Faust to advance money! What a
difference it makes in our circumstances!”
“Besides, how it affects my art!” returned Gutenberg. “How could I
prosper without it? And, Anna, we do well to remember that there has
been providential interposition in our affairs. We must acknowledge it
if we would be directed. Think of the long trial we have had, and of
our deliverer.”
“It does seem like a miracle. But how canst thou ever make new types
and presses like those which were destroyed at Strasbourg?”
“Trust me I shall not be long of doing that,” answered Gutenberg. “I am
encouraged. The prospect was dark until my arrangement with Faust; but
we shall do well enough, now that abundant means are provided.”
At first the firm was occupied with some of the block books which
had been issued at Strasbourg. Among these were the “Absies,” or
alphabetical tables, the “Doctrinale,” and a manual of grammar, or
“Donatus.”
Public-domain text, read in full here on John Shaqi.
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