Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
Faust’s letter gave him much satisfaction. “We have discovered the
right thing for our type!” said he, after making an impression with
it. He then strode up and down the room, now looking at this form, now
that, then stopping to dab the leather ink-balls on the type, then
taking up a manuscript, and generally making himself at home in the
printing-office. Since he had become a partner and patron, his manner
had grown pompous and somewhat lordly. Although a mere novice in the
new art, he was fully sensible of the honor he conferred on the firm
in associating himself with it, and very naturally assumed a general
oversight. The inventor saw the infirmities of his friend, but forebore
remark. He was both discerning and patient.
One afternoon, some weeks later, as a shower was rising, Anna sat by
her window, alternately sewing and watching the clouds as they gathered
in dark columns and overspread the sky. The brown sparrows that
frequented the roof of the Zum Jungen, chattered as the large drops
fell, perching upon the tiles and laughing at the rain. Just then who
should be coming up the street but Gutenberg and Peter Schoeffer, in
earnest discourse, seeming to heed the weather as little as did the
birds. Gutenberg had opened his heart to Schoeffer as to an old friend;
he felt confidence in doing so, for Schoeffer had proved himself
estimable and trusty when in his employ at Strasbourg. As they came
nearer and entered the house, Anna heard Gutenberg say, “Canst thou
tell me, Master Schoeffer, now that we are on my art, what is the most
notable and important book in the world?”
“I do not consider myself learned enough to answer that question,”
answered Schoeffer, after a pause. “The scribes who spend their lives
in making libraries should know.”
“That is true,” was the reply. “But, judging from the works which you
have seen, which is the most celebrated and useful?”
“I recollect,” replied Peter Schoeffer, “when I was in the Cathedral
school, that Father Melchoir showed us the Gothic Gospels, or Silver
Book, and remarked that more art and expense had been spent on the
Bible than on any other book. From this I must infer that in the
opinion of the wise, it is the most useful and important book in
existence.”
“Right,” replied the inventor; “more time has been spent in copying
the Bible than any other book, and justly; for the Word of God is
before all human productions.”
“But is not the Breviary made more prominent by our priests?”
Public-domain text, read in full here on John Shaqi.
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