Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
“But,” observed Peter, “how can we excel the monks, when one man spends
a life-time on writing out and embellishing a Bible, and we can only
devote a few years to it? For instance, how can we ever bring our Bible
to compare with the Silver Book in the care of Father Melchoir, the
letters of which are mostly of silver, and the illustrations of gold? I
had access to the Royal Library of France, in the Louvre. There I saw
a copy of the Evangelists, written in liquid gold! I fear we shall
fail in magnificence, and give as great a contrast compared with these
monks, as our plain printing rooms form with that library, the floor of
which is paved with marble, the walls decorated with glass and ivory,
and the shelves and desks are of the costliest wood.”
“I shall not attempt to rival the monks in adorning my Bibles with gold
and silver,” said Gutenberg; “if the letters are faultless, and the
printing clear, we shall outvie them, and I am persuaded that we can
effect this. It would be idle for us to print with gold, even if we had
the abundance to warrant it. The monks are wealthy, and only lavish it
on a single copy, once in many years; while if we issue one Bible, we
shall imprint more than a hundred!”
“Aye, indeed!” exclaimed Peter Schoeffer, “What a magnificent thought!
Truly we live in a wonderful age, when six men can make a hundred
Bibles in six years!”
(But what would you say, Peter, could you witness the lightning-feats
of the steam-presses of this day, dashing off a thousand copies of the
sacred volume in one day?)
“And moreover,” replied Gutenberg, “when we have disposed of one
hundred copies, we can issue as many more in a shorter time.”
“That is most cheering,” returned Schoeffer, “and I will at once
engage in my department of the work.”
The printing of the Bible was now the great enterprise of the firm,
smaller works being issued by way of preparation. While Peter Schoeffer
superintended type-cutting, and the office work went on as usual, there
were long and earnest consultations as to the best course to pursue
in obtaining a Bible for a copy. If Gutenberg or Faust bargained for
one with the Abbot of a monastery, inquiries would be made which they
wished not to answer.
“If I had the money to deposit for a Bible,” said Martin Duttlinger, “I
could easily obtain one.”
“And the money we expect to furnish, of course,” said Faust. “No one
can borrow so valuable a piece of property as a Bible, without the same
as buying it.”
Public-domain text, read in full here on John Shaqi.
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