Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
Gutenberg in Exile.--His Trade as Lapidary.--Curious Law.--Ancient
Cuts.--Picture of a Saint.--Legend.--The Bible for the Poor.--A
Secret discovered.--Gutenberg’s Experiment.
After his banishment, Gutenberg was not an idler. During his exile, we
are told that he devoted time to travelling from city to city, studying
monuments, and visiting men celebrated in art, science, or handicraft.
For not only was he educated, but he cultivated a literary taste, and
had chosen a trade, that of the lapidary, or polisher of precious
stones. Then, in Germany, the artisan, or one trained to a trade, and
the artist, held nearly the same rank; since the trades, scarcely
discovered, were confounded with the arts. Indeed, when the humbler
professions brought forth their first _chefs-d’œuvre_, they were
admired as prodigies, because new. The mechanic arts held an honorable
place, only people of property being permitted to learn them; this
matter being regulated by the statutes. Thus in England at that period
it was decreed concerning persons whose income was less than twenty
shillings by the year, “They shall be put to other labors, upon pain of
one year’s imprisonment.”
Hence artisans were a wealthy and influential class in society, and, in
some cases, with their daily occupation cultivated a love of knowledge.
And Gutenberg, by learning the lapidary’s trade, did not descend to the
lowest social level, while at the same time he acquired that mechanical
skill which was afterwards to turn to the benefit of the whole human
race.
He is pictured as occupying the front room of his dwelling as a
work-shop, where he plied his trade during the day, and men of standing
sought the society of the cultivated artisan, “so high a popularity did
he enjoy in Strasbourg for his character and scholarship.”
At this time, he seemed scarcely thirty, although six years older; a
health-tinted face, high fair forehead, large blue expressive eyes,
gave him a youthful look. The precise turn of his chin was hidden in a
thick tawny beard. There was an air of grave thoughtfulness about him,
as if he was influenced by some earnest purpose.
One evening, just after supper, the serving woman Elsie having cleared
the table and swept the hearth, Gutenberg, always busy even in the cozy
comfort of his fireside, became absorbed in examining a playing-card.
The Lady Anna was seated beside him, and after a little time looked up
from her work, and said in her own pleasant way,--
“Prithee, John, what marvel dost thou find in that card? One would
think it the face of a saint, so closely thou dost regard it.”
“Nay, little wife; but didst thou ever consider in what way this is
made?”
“I suppose that it was drawn in outline, and then painted, like other
pictures.”
Public-domain text, read in full here on John Shaqi.
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