Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
So Gutenberg, after he had done the will of God, and had been led on
to perfect the most glorious invention under the sun, had need of
patience. The Heavenly Father would not permit so chosen a son to
become perverted by unmingled prosperity.
Hence he suffered him to be disappointed, and the patient hero was
evidently blessed by his trials. He became, if never before, that which
so few attain, “commander of himself;” and this, according to a wise
author, is no small triumph. “He that ruleth his spirit is better than
he that taketh a city.”
Several trying lawsuits diversified the eventful life of Gutenberg.
They were grievous and harrowing to his sensitive feelings, but
subserve a good purpose to posterity, giving many well-authenticated
facts respecting him, which otherwise would have been lost. Little did
he think, while passing through these fiery ordeals, that he was by
them really inscribing the deeds of his life on the scroll of fame. We
moderns, seizing upon each item in the law records as a choice morsel
of literary history, are prone to forget that they were made at the
sacrifice of the peace and comfort of the inventor.
Especially was the writ of the notary public, summoning Gutenberg to
the parlor of the Barefoot Friars, a crushing event. It came when he
was just on the point of realizing his fondest hopes,--when the Bible
was printed, and almost ready to be issued from the press. By this
process of law, he was under the necessity of mortgaging his printing
materials to Faust; this shows that his large private fortune had been
previously expended in experiments, and that thus he had fallen into
the clutches of his more wealthy partner.
Because the great invention failed to bring in money as soon as the
firm had hoped, Faust must needs take the law on Gutenberg, seizing
his printing materials, wrought out with so much thought and toil. The
presses, the plan of which had been for years ripening in his brain,
and to secure the making of which cost him so much money, were no
longer his; neither was the type which he invented at such an expense
of time, effort, and money, nor yet the illuminated letters designed
under his eye. Yes, the very initial letters used by Gutenberg and his
firm, in works executed between 1450 and 1455, were also used by Faust
and Schoeffer in the Psalter of 1457 and 1459. After so much effort
almost in vain, what wonder if Gutenberg had become disheartened, and
yielded to despair! Far from that. His indefatigable spirit knew no
rest; many floods could not quench the fire of his perseverance; he
started again, laid the foundations, and successfully wrought in new
printing rooms, his Bible and his Psalter meanwhile being printed by
other hands.
Public-domain text, read in full here on John Shaqi.
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