Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
For nearly one hundred and fifty years the Estiennes of France were
famous as printers. Robert Stephens, a member of this family, was
the first inventor of the verses into which the New Testament is now
divided, and introduced them in his edition of it published in 1551.
Harry, the eldest son of Robert Stephens, was one of the most learned
men of his time. “Thesaurus,” a dictionary of the Greek language, was
the fruit of twelve years’ hard application of the elder Stephens, who
also suffered persecution for being a Protestant, and fled from France
to reside at Geneva. The early printers were well educated; but time
and space fail us to note the many learned men who practiced the art
in different countries, who, availing themselves of the new sources of
information, added to the general stock of knowledge as they eagerly
grasped the shining treasures laid open by the discovery of printing.
It is well known that the first printers were learned; and, being
engaged in printing from ancient and classical manuscripts, were
naturally the associates of the first literary characters of the age.
Indeed, in the infancy of printing, and long afterwards, the occupation
was very honorable, and was only engaged in by well-educated persons.
It was the glory of the learned to be known as correctors of the press
to literary printers; physicians, lawyers, bishops, and even popes
themselves occupied this department; and a distinguished name, as
corrector of the press, being given in a work, it was far more highly
valued.
[Illustration]
[Illustration]
XX.
Peculiarities of the First Printed Books.--Early Printers.--
Piety and Chess.--Education in the Olden Time.--A Great
Enterprise.--Unveiling Gutenberg’s Statue.
On inquiring more closely respecting the peculiarities of the first
printed books and the modes of producing them, we find that they were
generally large or small folios or quartos; lesser sizes than these
not being in use. In some cases they had no title, number of pages, or
paragraph divisions. The character employed was designed to imitate
the hand-writing of the time, a rude old Gothic or German, from which
the old English was formed, now known as German text. The words were
printed so closely together as to make reading difficult even by those
accustomed to it, while one unpracticed got on slowly and with many
blunders.
Public-domain text, read in full here on John Shaqi.
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