Country homes -- Fiction; England -- Fiction; Revenge -- Fiction
The Baronet's tastes, as we might see, were simple. He could dine on a
bit of roast mutton, and a few glasses of sherry. But his mutton was
eight years old, and came all the way from Dartbroke, and his sherry
cost more than other men's Madeira, and he now lighted one of those
priceless cigars, which so many fellows envied, and inhaled the
disembodied aroma of a tobacco which, perhaps, Jove smokes in his easy
chair on Olympus, but which I have never smelt on earth, except when Sir
Jekyl dispensed the inestimable treasures of his cigar-case.
Now, the Baronet stood over his table, with a weed between his lips,
tall in his flowered silk dressing-gown, his open hands shoving apart
the pile of letters, as a conjurer at an exhibition spreads his pack of
cards.
"Ha! poor little thing!" he murmured, with a sly simper, in a petting
tone, as he plucked an envelope, addressed in a lady's hand, between two
fingers, caressingly, from the miscellaneous assortment.
He looked at it, but reserved it as a _bon-bouche_ in his waistcoat
pocket, and pursued his examination.
There were several from invited guests, who were either coming or not,
with the customary expressions, and were tossed together in a little
isolated litter for conference with Mrs. Gwynn in the morning.
"Not a line from Pelter and Crowe! the d--d fellows don't waste their
ink upon me, except when they furnish their costs. It's a farce paying
fellows to look after one's business--no one ever does it but yourself.
If those fellows were worth their bread and butter, they'd have known
all about this thing, whatever it is, and I'd have had it all _here_,
d---- it, to-night."
Sir Jekyl, it must be confessed, was not quite consistent about this
affair of the mysterious young gentleman; for, as we have seen, he
himself had a dozen times protested against the possibility of there
being anything in it, and now he was seriously censuring his respectable
London attorneys for not furnishing him with the solid contents of this
"windbag."
But it was only his talk that was contradictory. Almost from the moment
of his first seeing that young gentleman, on the open way under the sign
of the "Plough," there lowered a fantastic and cyclopean picture, drawn
in smoke or vapour, volcanic and thunderous, all over his horizon, like
those prophetic and retrospective pageants with which Doree loves to
paint his mystic skies. It was wonderful, and presaged unknown evil; and
only cowed him the more that it baffled analysis and seemed to mock at
reason.
Public-domain text, read in full here on John Shaqi.
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