As the fated and influential hour rolled on, the terrors of the
hateful Presence grew more confounding to the mortal senses of the
victim, and the knot of the accursed sophistry became more
inextricable in appearance, at least to the prey whom its meshes
surrounded. He had not power to explain the assurance of pardon
which he continued to assert, or to name the victorious name in
which he, trusted. But his faith did not abandon him, though he
lacked for a time the power of expressing it. "Say what you will,"
was his answer to the Tempter; "I know there is as much betwixt the
two boards of this Book as can insure me forgiveness for my
transgressions, and safety for my soul." As he spoke, the clock,
which announced the lapse of the fatal hour, was heard to strike.
The speech and intellectual powers of the youth were instantly and
fully restored; he burst forth into prayer, and expressed, in the
most glowing terms, his reliance on the truth, and on the Author,
of the gospel. The demon retired, yelling and discomfited, and the
old man, entering the apartment, with tears congratulated his guest
on his victory in the fated struggle.
The young man was afterwards married to the beautiful maiden, the
first sight of whom had made such an impression on him, and they
were consigned over at the close of the story to domestic
happiness.--So ended John MacKinlay's legend.
The author of Waverley had imagined a possibility of framing an
interesting, and perhaps not an unedifying, tale, out of the
incidents of the life of a doomed individual, whose efforts at good
and virtuous conduct were to be for ever disappointed by the
intervention, as it were, of some malevolent being, and who was at
last to come off victorious from the fearful struggle. In short,
something was meditated upon a plan resembling the imaginative tale
of Sintram and his Companions, by Mons. Le Baron de la Motte
Fouque, although, if it then existed, the author had not seen it.
The scheme projected may be traced in the three or four first
chapters of the work, but further consideration induced the author
to lay his purpose aside. It appeared, on mature consideration,
that Astrology, though its influence was once received and admitted
by Bacon himself, does not now retain influence over the general
mind sufficient even to constitute the mainspring of a romance.
Besides, it occurred, that to do justice to such a subject would
have required not only more talent than the author could be
conscious of possessing, but also involved doctrines and
discussions of a nature too serious for his purpose, and for the
character of the narrative. In changing his plan, however, which
wets done in the course of printing, the early sheets retained the
vestiges of the original tenor of the story, although they now hang
upon it as an unnecessary and unnatural encumbrance. The cause of
such vestiges is now explained, and apologised for.
Public-domain text, read in full here on John Shaqi.
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