He could not help feeling surprise at a coincidence so singular and
unexpected. 'Does the devil mingle in the dance, to avenge himself for
our trifling with an art said to be of magical origin? Or is it
possible, as Bacon and Sir Thomas Browne admit, that there is some
truth in a sober and regulated astrology, and that the influence of the
stars is not to be denied, though the due application of it by the
knaves who pretend to practise the art is greatly to be suspected?' A
moment's consideration of the subject induced him to dismiss this
opinion as fantastical, and only sanctioned by those learned men either
because they durst not at once shock the universal prejudices of their
age, or because they themselves were not altogether freed from the
contagious influence of a prevailing superstition. Yet the result of
his calculations in these two instances left so unpleasing an
impression on his mind that, like Prospero, he mentally relinquished
his art, and resolved, neither in jest nor earnest, ever again to
practise judicial astrology.
He hesitated a good deal what he should say to the Laird of Ellangowan
concerning the horoscope of his first-born; and at length resolved
plainly to tell him the judgment which he had formed, at the same time
acquainting him with the futility of the rules of art on which he had
proceeded. With this resolution he walked out upon the terrace.
If the view of the scene around Ellangowan had been pleasing by
moonlight, it lost none of its beauty by the light of the morning sun.
The land, even in the month of November, smiled under its influence. A
steep but regular ascent led from the terrace to the neighbouring
eminence, and conducted Mannering to the front of the old castle. It
consisted of two massive round towers projecting deeply and darkly at
the extreme angles of a curtain, or flat wall, which united them, and
thus protecting the main entrance, that opened through a lofty arch in
the centre of the curtain into the inner court of the castle. The arms
of the family, carved in freestone, frowned over the gateway, and the
portal showed the spaces arranged by the architect for lowering the
portcullis and raising the drawbridge. A rude farm-gate, made of young
fir-trees nailed together, now formed the only safeguard of this once
formidable entrance. The esplanade in front of the castle commanded a
noble prospect.
Public-domain text, read in full here on John Shaqi.
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