On entering the gateway, he found that the rude magnificence of the
inner court amply corresponded with the grandeur of the exterior. On
the one side ran a range of windows lofty and large, divided by carved
mullions of stone, which had once lighted the great hall of the castle;
on the other were various buildings of different heights and dates, yet
so united as to present to the eye a certain general effect of
uniformity of front. The doors and windows were ornamented with
projections exhibiting rude specimens of sculpture and tracery, partly
entire and partly broken down, partly covered by ivy and trailing
plants, which grew luxuriantly among the ruins. That end of the court
which faced the entrance had also been formerly closed by a range of
buildings; but owing, it was said, to its having been battered by the
ships of the Parliament under Deane, during the long civil war, this
part of the castle was much more ruinous than the rest, and exhibited a
great chasm, through which Mannering could observe the sea, and the
little vessel (an armed lugger), which retained her station in the
centre of the bay. [Footnote: The outline of the above description, as
far as the supposed ruins are concerned, will be found somewhat to
resemble the noble remains of Carlaverock Castle, six or seven miles
from Dumfries, and near to Lochar Moss.] While Mannering was gazing
round the ruins, he heard from the interior of an apartment on the left
hand the voice of the gipsy he had seen on the preceding evening. He
soon found an aperture through which he could observe her without being
himself visible; and could not help feeling that her figure, her
employment, and her situation conveyed the exact impression of an
ancient sibyl.
She sate upon a broken corner-stone in the angle of a paved apartment,
part of which she had swept clean to afford a smooth space for the
evolutions of her spindle. A strong sunbeam through a lofty and narrow
window fell upon her wild dress and features, and afforded her light
for her occupation; the rest of the apartment was very gloomy. Equipt
in a habit which mingled the national dress of the Scottish common
people with something of an Eastern costume, she spun a thread drawn
from wool of three different colours, black, white, and grey, by
assistance of those ancient implements of housewifery now almost
banished from the land, the distaff and spindle. As she spun, she sung
what seemed to be a charm. Mannering, after in vain attempting to make
himself master of the exact words of her song, afterwards attempted the
following paraphrase of what, from a few intelligible phrases, he
concluded to be its purport:--
Twist ye, twine ye! even so
Mingle shades of joy and woe,
Hope, and fear, and peace, and strife,
In the thread of human life.
While the mystic twist is spinning,
And the infant's life beginning,
Dimly seen through twilight bending,
Lo, what varied shapes attending!
Public-domain text, read in full here on John Shaqi.
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