He could not help feeling surprise at a coincidence so singular and
unexpected. ‘Does the devil mingle in the dance, to avenge himself for
our trifling with an art said to be of magical origin? Or is it possible,
as Bacon and Sir Thomas Browne admit, that there is some truth in a sober
and regulated astrology, and that the influence of the stars is not to be
denied, though the due application of it by the knaves who pretend to
practise the art is greatly to be suspected?’ A moment’s consideration of
the subject induced him to dismiss this opinion as fantastical, and only
sanctioned by those learned men either because they durst not at once
shock the universal prejudices of their age, or because they themselves
were not altogether freed from the contagious influence of a prevailing
superstition. Yet the result of his calculations in these two instances
left so unpleasing an impression on his mind that, like Prospero, he
mentally relinquished his art, and resolved, neither in jest nor earnest,
ever again to practise judicial astrology.
He hesitated a good deal what he should say to the Laird of Ellangowan
concerning the horoscope of his first-born; and at length resolved
plainly to tell him the judgment which he had formed, at the same time
acquainting him with the futility of the rules of art on which he had
proceeded. With this resolution he walked out upon the terrace.
If the view of the scene around Ellangowan had been pleasing by
moonlight, it lost none of its beauty by the light of the morning sun.
The land, even in the month of November, smiled under its influence. A
steep but regular ascent led from the terrace to the neighbouring
eminence, and conducted Mannering to the front of the old castle. It
consisted of two massive round towers projecting deeply and darkly at the
extreme angles of a curtain, or flat wall, which united them, and thus
protecting the main entrance, that opened through a lofty arch in the
centre of the curtain into the inner court of the castle. The arms of the
family, carved in freestone, frowned over the gateway, and the portal
showed the spaces arranged by the architect for lowering the portcullis
and raising the drawbridge. A rude farm-gate, made of young fir-trees
nailed together, now formed the only safeguard of this once formidable
entrance. The esplanade in front of the castle commanded a noble
prospect.
Public-domain text, read in full here on John Shaqi.
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