On entering the gateway, he found that the rude magnificence of the inner
court amply corresponded with the grandeur of the exterior. On the one
side ran a range of windows lofty and large, divided by carved mullions
of stone, which had once lighted the great hall of the castle; on the
other were various buildings of different heights and dates, yet so
united as to present to the eye a certain general effect of uniformity of
front. The doors and windows were ornamented with projections exhibiting
rude specimens of sculpture and tracery, partly entire and partly broken
down, partly covered by ivy and trailing plants, which grew luxuriantly
among the ruins. That end of the court which faced the entrance had also
been formerly closed by a range of buildings; but owing, it was said, to
its having been battered by the ships of the Parliament under Deane,
during the long civil war, this part of the castle was much more ruinous
than the rest, and exhibited a great chasm, through which Mannering could
observe the sea, and the little vessel (an armed lugger), which retained
her station in the centre of the bay. [Footnote: The outline of the above
description, as far as the supposed ruins are concerned, will be found
somewhat to resemble the noble remains of Carlaverock Castle, six or
seven miles from Dumfries, and near to Lochar Moss.] While Mannering was
gazing round the ruins, he heard from the interior of an apartment on the
left hand the voice of the gipsy he had seen on the preceding evening. He
soon found an aperture through which he could observe her without being
himself visible; and could not help feeling that her figure, her
employment, and her situation conveyed the exact impression of an ancient
sibyl.
She sate upon a broken corner-stone in the angle of a paved apartment,
part of which she had swept clean to afford a smooth space for the
evolutions of her spindle. A strong sunbeam through a lofty and narrow
window fell upon her wild dress and features, and afforded her light for
her occupation; the rest of the apartment was very gloomy. Equipt in a
habit which mingled the national dress of the Scottish common people with
something of an Eastern costume, she spun a thread drawn from wool of
three different colours, black, white, and grey, by assistance of those
ancient implements of housewifery now almost banished from the land, the
distaff and spindle. As she spun, she sung what seemed to be a charm.
Mannering, after in vain attempting to make himself master of the exact
words of her song, afterwards attempted the following paraphrase of what,
from a few intelligible phrases, he concluded to be its purport:--
Twist ye, twine ye! even so
Mingle shades of joy and woe,
Hope, and fear, and peace, and strife,
In the thread of human life.
While the mystic twist is spinning,
And the infant’s life beginning,
Dimly seen through twilight bending,
Lo, what varied shapes attending!
Public-domain text, read in full here on John Shaqi.
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