Gypsy Sorcery and Fortune Telling: Illustrated by numerous incantations, specimens of medical magic, anecdotes and tales — John Shaqi
Gypsy Sorcery and Fortune Telling: Illustrated by numerous incantations, specimens of medical magic, anecdotes and talesLeland, Charles Godfrey
History
Gypsy Sorcery and Fortune Telling: Illustrated by numerous incantations, specimens of medical magic, anecdotes and tales
Leland, Charles Godfrey
Fortune-telling; Magic, Romani; Romanies
"If Folk-lore has done nothing else up to this date it has
demonstrated that civilization, under many of its phases, while
elevating the governing class of a nation, and thereby no doubt
elevating the nation, does not always reach the lowest or even the
lower strata of the population. As Sir Arthur Mitchell puts it,
'There is always a going up of some and a going down of others,'
and it is more than probable that just as the going up of the
few is in one certain direction, along certain well-ascertained
lines of improvement or development, so the going down of the
many is in an equally well-ascertained line of degradation
or backwardness. The upward march is always towards political
improvement, carrying with it social development; the downward
march is always towards social degradation, carrying with it
political backwardness. It seems difficult indeed to believe that
monarchs like Ælfred, Eadward, William, and Edward, could have had
within their Christianized kingdom groups of people whose status
was still that of savagery; it seems difficult to believe that
Raleigh and Spenser actually beheld specimens of the Irish savage;
it seems impossible to read Kemble and Green and Freeman and yet
to understand that they are speaking only of the advanced guard of
the English nation, not of the backward races within the boundary
of its island home. The student of archaic custom has, however,
to meet these difficulties, and it seems necessary, therefore,
to try and arrive at some idea as to what the period of savagery
in these islands really means."
Public-domain text, read in full here on John Shaqi.
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