Habits and men, with remnants of record touching the makers of bothDoran, Dr. (John)
Philosophy
Habits and men, with remnants of record touching the makers of both
Doran, Dr. (John)
Manners and customs
But when this wretched madman, the Macedonian I mean, rode out in his
chariot, and forgetful of his wry neck—for he _had_ a wry neck, and
limped to boot,—and despite his very red nose and his blood-shot eyes,
dressed like Diana, the goddess of Chastity, a Persian purple robe about
him, and over his naked shoulder a bow and a quiver,—he must have looked
as ridiculous in the eyes of the beholders, as if the late Sir William
Curtis, who was so solemnly ridiculous in kilts, had exhibited himself
daily in front of the Mansion-house in the dress and attitude of the
Magdalene of Correggio.
In more modern days, we _have_ had the gods and goddesses assumed by
mortal men; but then it has been to amuse, and not to awe the multitude.
They were often introduced in the mediæval shows when Burgundy exulted in
her Dukes. I may cite, as an instance, the solemnity of the first entry
into Lille of Charles the Bold, in his character of Duke of Burgundy.
The delicate citizens got up a “mystery” whereby to do honour to the
refined prince, which excited great amusement. It was “The Judgement of
Paris.” To represent Venus, a tall and enormous woman had been selected,
who weighed some twenty stone; Juno was as tall as Venus, but she was
withered and lean; Minerva bore a hump both before and behind; while all
three goddesses were naked, only wearing rich crowns upon their heads.
Charles the Bold must have been as much pleased with pastime like this,
as Dr. Pusey would doubtless be were he, in company with Father Newman,
to take advantage of an order for two, and go and see Mr. Paul Bedford in
the part of Norma.
Mark Antony was, despite his habit of getting drunk by daylight, so
careful a dresser that he may be ranked among the _beaux_. Indeed he was
specially fantastic in some of his fashions; and, by way of proof that
he was the very “first fine gentleman” of his day, it is only necessary
to cite what Textor says of him in the preface to the ‘Cornucopia,’
namely, “M. Antonius, Triumvir, corporis excrementa non nisi vasis aureis
excipiebat.”
Public-domain text, read in full here on John Shaqi.
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