The work is a very able combination of two different aims. On the one
hand it affords the technical student the outline of a wholly new and
distinctive manual of human embryology (up to a certain extent) and
general anatomy; and this is intimately bound up by his method with a
kind of historical introduction to general anthropology. At the same
time the book forms a second part of the _History of Creation_. It
builds up the most important chapter of the later work, from the
philosophical point of view, namely, that which deals with the origin of
man, into a fresh volume; and it represents the first popular treatment
of embryology on broad philosophic lines—a thing that had never been
attempted before. Springing up from this double root, the work is
certainly one of the most successful things in the whole of Haeckel’s
literary career. Moreover, it is not merely a compendium of a larger
work, like the _History of Creation_. In spirit and form it is an
original work, and gives his very best to the reader. As far as its
general effect is concerned, the double-address of the work has had its
disadvantages. The academic students who were hostile to it have once
more selected for attack certain excrescences and gaps that were merely
due to the exigencies of popular treatment. On the other hand, the
general reader found it, in spite of the popular form, on which
Herculean labour had been spent—one has only to think of the details of
embryology—a book that was not to be “read” in the ordinary sense of the
word, but studied. The first edition appeared in 1874. A fifth edition
has now been published, equipped with the finest illustrations, both
from the artistic and the scientific point of view, that have ever
appeared in a popular work on embryology. We find in the _Anthropogeny_
all that the nineteenth century has learned or surmised with regard to
the ancestral history of mankind. Even the gastræa-theory—the gastræa
belonging to man’s direct ancestry—is dealt with in popular fashion as
far as this was possible.
Public-domain text, read in full here on John Shaqi.
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