Feminist fiction; Historical fiction; Southern States -- Fiction; Women -- Southern States -- Fiction; Women authors -- Fiction
The Colonel was gone down the river to Hawk Nest. Captain Bob was in
the stable yard. Muffled, from the parlour, the doors being carefully
closed, came the notes of "Silvery Waves." Miss Serena was practising.
It was raspberry-jam time of year. In the brick kitchen out in the
yard Old Miss spent the morning with her knitting, superintending
operations. A great copper kettle sat on the stove. Between it and the
window had been placed a barrel and here perched a half-grown negro
boy, in his hands a pole with a paddle-like cross-piece at the further
end. With this he slowly stirred, round and round, the bubbling,
viscous mass in the copper kettle. Kitchen doors and windows were wide,
and in came the hum of bees and the fresh June air, and out floated
delectable odours of raspberry jam. Old Miss sat in an ample low chair
in the doorway, knitting white cotton socks for the Colonel.
The Bishop--who was a bishop from another state--was writing letters.
Mrs. LeGrand had taken her novel out to the hammock beneath the cedars.
Upstairs, in her own room, in a big four-poster bed, lay Maria, ill
with a low fever. Dr. Bude came every other day, and he said that he
hoped it was nothing much but that he couldn't tell yet: Mrs. Ashendyne
must lie quiet and take the draught he left, and her room must be kept
still and cool, and he would suggest that Phoebe, whom she seemed to
like to have about her, should nurse her, and he would suggest, too,
that there be no disturbing conversation, and that, indeed, she be
left in the greatest quiet. It seemed nervous largely--"Yes, yes,
that's true! We all ought to fight more than we do. But the nervous
system isn't the imaginary thing people think! She isn't very strong,
and--wrongly, of course--she dashes herself against conditions and
environment like a bird against glass. I don't suppose," said Dr. Bude,
"that it would be possible for her to travel?"
Maria lay in the four-poster bed, making images of the light and shadow
in the room. Sometimes she asked for Hagar, and sometimes for hours she
seemed to forget that Hagar existed. Old Miss, coming into the room
at one of these times, and seeing her push the child from her with a
frightened air and a stammering "I don't know you"--Old Miss, later in
the day, took Hagar into her own room, set her in a chair beside her,
taught her a new knitting-stitch, and explained that it would be kinder
to remain out of her mother's room, seeing that her presence there
evidently troubled her mother.
"It troubles her sometimes," said Hagar, "but it doesn't trouble her
most times. Most times she likes me there."
"I do not think you can judge of that," said her grandmother. "At any
rate, I think it best that you should stay out of the room. You can,
of course, go in to say good-morning and good-night.--Throw the thread
over your finger like that. Mimy is making sugar-cakes this morning,
and if you want to you can help her cut them out."
Public-domain text, read in full here on John Shaqi.
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