Feminist fiction; Historical fiction; Southern States -- Fiction; Women -- Southern States -- Fiction; Women authors -- Fiction
Mrs. Lane was knitting an afghan of a complicated pattern. Her lips
moved softly, continuously, counting. Mr. Laydon, making an eloquent
pause midway of "Tithonous" caught this _One--two--three--four_--and
had a fleeting expression of pain. Mrs. Lane saw the depth to which she
had sunk in his esteem and flushed over her delicate, pensive face. For
the remainder of the hour she sat with her knitting in her lap. But
really the afghan must be finished, and so, the second evening, she
placed her chair so as to face not the reader but a shadowy corner, and
so knit and counted in peace. Miss Bedford neither knit nor counted;
she said that she adored poetry and sighed rapturously where something
seemed to be indicated. She also adored conversation and argumentation
as to this or that nice point. What did Mr. Laydon think Browning
really meant in "Childe Roland," and was Porphyria's lover really mad?
Was Amy really to blame in "Locksley Hall"? Miss Bedford made play with
her rather fine eyes and teased the fringe of the table-cover. The pale
girl from the Far South--Lily was her name--sat by the fire and now
rubbed her forehead with a menthol pencil and now stroked Tipsy Parson,
Mrs. LeGrand's big black cat. Francie Smythe had a muslin apron full
of coloured silks and was embroidering a centre-piece--yellow roses
with leaves and thorns. Francie was a great embroiderer. Hagar sat
upon a low stool by the hearth, over against Lily, close to the slowly
burning logs. She was a Fire-Worshipper. The flames were better to her
than jewels, and the glowing alleys and caverns below were treasure
caves and temples. She sat listening in the rosy light, her chin in her
hands. She thought that Mr. Laydon read very well--very well, indeed.
"'Where the quiet-coloured end of evening smiles,
Miles and miles,
On the solitary pastures--'"
Midway of the poem she turned a little so that she could see the reader.
He sat in the circle of lamplight, a presentable man, well-formed,
dark-eyed, and enthusiastic; fairly presentable within, too, very
fairly clean, a good son, filled with not unhonourable ambitions; good,
average, human stuff with an individual touch of impressionability
and a strong desire to be liked, as he expressed it, "for himself";
young still, with the momentum and emanation of youth. The lamp had
a rose and amber shade. It threw a softened, coloured, dreamy light.
Everything within its range was subtly altered and enriched.
"'And I knew--while thus the quiet-coloured eve
Smiles to leave
To their folding, all our many tinkling fleece
In such peace,
And the slopes and rills in undistinguished grey
Melt away--'"
Public-domain text, read in full here on John Shaqi.
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