Feminist fiction; Historical fiction; Southern States -- Fiction; Women -- Southern States -- Fiction; Women authors -- Fiction
The little girl named Hagar lagged a little going up the low hill on
which the house stood. She was growing fast, and all journeys were
exciting, and she was taking iron because she wasn't very strong,
and she had had a week of change and had been thinking hard and was
tired. She wanted to see her mother, and indeed she wanted to see all
at Gilead Balm, for, unlike her mother, she loved Gilead Balm, but
going up the hill she lagged a little. Partly it was to look at the
star and to listen to the distant bells. She was not aware that she
observed that which we call Nature with a deep passion and curiosity,
that beauty was the breath of her nostrils, and that she hungered
and thirsted after the righteousness of knowledge. She only came
slowly, after many years, into that much knowledge of herself. To-day
she was but an undeveloped child, her mind a nebula just beginning
to spiral. In conversation she would have applied the word "pretty"
indiscriminately to the flushed sky, the star, the wheeling swallows,
the yellow primroses. But within, already, the primroses struck one
note, and the wheeling swallows another, and the sky another, and the
star another, and, combined, they made a chord that was like no other
chord. Already her moments were distinguished, and each time she saw
Gilead Balm she saw, and dimly knew that she saw, a different Gilead
Balm.
She climbed the hill a little stumblingly, a dark, thin child with
braided, dusky hair. She was so tired that things went into a kind
of mist--the house and the packet-boat and the lock and the convict
and the piping frogs and the cat-tails in a marsh and the word
"evolution."... And then, up on the low hilltop, Dilsey and Plutus lit
the lamps, and the house had a row of topaz eyes;--and here was the
cedar at the little gate, and the smell of box--box smell was always of
a very especial character, dark in hue, cool in temperature, and quite
unfathomably old. The four passed through the house gate and went up
the winding path between the box and the old, old blush roses--and here
was the old house dog Roger fawning on the Colonel--and the topaz eyes
were growing bigger, bigger....
"I am glad to get home," said Miss Serena, in front. "It's curious how,
every time you go from home, something happens to cure you of a roving
disposition."
Captain Bob laughed. "Never knew you had a roving disposition, Serena!
Luna here, now,--Luna's got a roving disposition--haven't you, old
girl?"
"Luna," replied Miss Serena with some asperity, "Luna makes no effort
to alter her disposition. I do. Everybody's got tendencies and notions
that it is their bounden duty to suppress. If they don't, it leads to
all kind of changes and upheavals.--And that is what I criticize in
Maria. She makes no effort, either. It's most unfortunate."
Public-domain text, read in full here on John Shaqi.
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