Haifa; or, Life in modern PalestineOliphant, Laurence
History
Haifa; or, Life in modern Palestine
Oliphant, Laurence
Palestine -- Description and travel
If the newly married couple do not occupy the same room with the rest of
the family, they share the other one with the domestic animals. These
probably consist of a horse, a cow, and a donkey. For the sake of
security they are stabled in the room of the master of the house. Their
manger is on a level with the floor on which he and his bride sleep. I
have before now shared such a room with a young married couple—she, the
daughter of a wealthy man who lived in civilized style—and all night I
have been disturbed by the crunching of the animals feeding within a few
feet of where I was lying; with their constant rising up and lying down;
with the movements of my host and hostess, who would get up constantly
in the night, sometimes to feed the animals, which were required for
work before sunrise, sometimes to replenish the charcoal fire, sometimes
to attend to the baby, or to open the door and hold a whispered
conference with some nocturnal visitor. As there is no undressing on
going to bed, among these people, and as they indulge in long snoozes
during the day, the night does not seem to be so especially devoted to
sleep as with us. They appear to think that, as going to bed simply
consists in lying down on the floor in your clothes, one part of the
twenty-four hours will do as well for sleep as another, and their nights
are restless accordingly. As a general rule, for persons who have not
been long enough in the country to get used to insects, the nights are
made restless from other causes.
It is curious, in the case of such a marriage as I have described, to
see the change which takes place when the young wife leaves the retired
village to which she has been banished, owing to the impoverished
circumstances of her husband, to pay a visit to her own family. I
scarcely recognize her when I meet her again. When last I saw her in her
humble home her costume consisted of a thin sort of chemisette, a pair
of full, baggy trousers fastened at the knee, leaving the legs and feet
bare, and over these a skirt, and we were dipping our fingers amicably
into the same dish of rice. Now I would walk down Broadway with her on
my arm, and be rather proud of her fashionable “get up” than otherwise;
and she handles her knife and fork with far greater dexterity than I did
my fingers.
Public-domain text, read in full here on John Shaqi.
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