England -- Social life and customs -- 19th century -- Fiction
“Then it’s Michael! Oh, me! oh, me!” She set up a succession of weak,
plaintive, hysterical cries before the nurse could pacify her, by
declaring that Michael had been at the house not three hours before to
ask after her, and looked as well and as hearty as ever man did.
“And you heard of no harm to him since?” inquired Susan.
“Bless the lass, no, for sure! I’ve ne’er heard his name named since I
saw him go out of the yard as stout a man as ever trod shoe-leather.”
It was well, as the nurse said afterwards to Peggy, that Susan had been
so easily pacified by the equivocating answer in respect to her father.
If she had pressed the questions home in his case as she did in
Michael’s, she would have learnt that he was dead and buried more than
a month before. It was well, too, that in her weak state of
convalescence (which lasted long after this first day of consciousness)
her perceptions were not sharp enough to observe the sad change that
had taken place in Willie. His bodily strength returned, his appetite
was something enormous, but his eyes wandered continually; his regard
could not be arrested; his speech became slow, impeded, and incoherent.
People began to say that the fever had taken away the little wit Willie
Dixon had ever possessed and that they feared that he would end in
being a “natural,” as they call an idiot in the Dales.
The habitual affection and obedience to Susan lasted longer than any
other feeling that the boy had had previous to his illness; and,
perhaps, this made her be the last to perceive what every one else had
long anticipated. She felt the awakening rude when it did come. It was
in this wise:—
Public-domain text, read in full here on John Shaqi.
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