United States -- Social life and customs -- 20th century -- Fiction
The Deckers had lived in a sagging old frame house (from which the
original paint had long ago peeled in great scrofulous patches) on an
unimportant street in Chippewa. There was a worm-eaten russet apple tree
in the yard; an untidy tangle of wild-cucumber vine over the front
porch; and an uncut brush of sunburnt grass and weeds all about. From
May until September you never passed the Decker place without hearing
the plunketty-plink of a mandolin from somewhere behind the vines,
accompanied by a murmur of young voices, laughter, and the creak-creak
of the hard-worked and protesting hammock hooks. Flora, Ella, and Grace
Decker had more beaux and fewer clothes than any other girls in
Chippewa. In a town full of pretty young things they were, undoubtedly,
the prettiest; and in a family of pretty sisters (Sophy always excepted)
Flora was the acknowledged beauty. She was the kind of girl whose nose
never turns red on a frosty morning. A little, white, exquisite nose,
purest example of the degree of perfection which may be attained by that
vulgarest of features. Under her great gray eyes were faint violet
shadows which gave her a look of almost poignant wistfulness. If there
is a less hackneyed way to describe her head on its slender throat than
to say it was like a lovely flower on its stalk, you are free to use it.
Her slow, sweet smile gave the beholder an actual physical pang. Only
her family knew she was lazy as a behemoth, untidy about her person, and
as sentimental as a hungry shark. The strange and cruel part of it was
that, in some grotesque, exaggerated way, as a cartoon may be like a
photograph, Sophy resembled Flora. It was as though Nature, in prankish
mood, had given a cabbage the colour and texture of a rose, with none of
its fragile reticence and grace.
It was a manless household. Mrs. Decker, vague, garrulous, and given to
ice-wool shawls, referred to her dead husband, in frequent reminiscence,
as poor Mr. Decker. Mrs. Decker dragged one leg as she
walked--rheumatism, or a spinal affection. Small wonder, then, that
Sophy, the plain, with a gift for hat-making, a knack at eggless
cake-baking, and a genius for turning a sleeve so that last year's style
met this year's without a struggle, contributed nothing to the sag in
the centre of the old twine hammock on the front porch.
That the three girls should marry well, and Sophy not at all, was as
inevitable as the sequence of the seasons. Ella and Grace did not manage
badly, considering that they had only their girlish prettiness and the
twine hammock to work with. But Flora, with her beauty, captured H.
Charnsworth Baldwin. Chippewa gasped. H. Charnsworth Baldwin drove a
skittish mare to a high-wheeled yellow runabout (this was twenty years
ago); had his clothes made at Proctor Brothers in Milwaukee, and talked
about a game called golf. It was he who advocated laying out a section
of land for what he called links, and erecting a club house thereon.
Public-domain text, read in full here on John Shaqi.
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