United States -- Social life and customs -- 20th century -- Fiction
"I don't want to go," Ma Mandle would mutter. "I'm better off at home.
You enjoy yourself better without an old woman dragging along."
That being true, they vowed it was not, and renewed their urging. In the
end she went, grudgingly. But her old eyes would droop; the late supper
would disagree with her; the noise, the music, the laughter, and shrill
talk bewildered her. She did not understand the banter, and resented
it.
Next day, in the park, she would boast of her life of gayety to the
vaguely suspicious three.
Later she refused to go out with them. She stayed in her room a good
deal, fussing about, arranging bureau drawers already geometrically
precise, winding endless old ribbons, ripping the trimming off hats long
passé and re-trimming them with odds and ends and scraps of feathers and
flowers.
Hugo and Lil used to ask her to go with them to the movies, but they
liked the second show at eight-thirty while she preferred the earlier
one at seven. She grew sleepy early, though she often lay awake for
hours after composing herself for sleep. She would watch the picture
absorbedly, but when she stepped, blinking, into the bright glare of
Fifty-third Street, she always had a sense of let-down, of depression.
A wise old lady of seventy, who could not apply her wisdom for her own
good. A rather lonely old lady, with hardening arteries and a dilating
heart. An increasingly fault-finding old lady. Even Hugo began to notice
it. She would wait for him to come home and then, motioning him
mysteriously into her own room, would pour a tale of fancied insult into
his ear.
"I ran a household and brought up a family before she was born. I don't
have to be told what's what. I may be an old woman but I'm not so old
that I can sit and let my own son be made a fool of. One girl isn't
enough, she's got to have a wash woman. And now a wash woman isn't
enough she's got to have a woman to clean one day a week."
An hour later, from the front bedroom, where Hugo was dressing, would
come the low murmur of conversation. Lil had reached the complaining
point, goaded by much repetition.
The attitude of the two women distressed and bewildered Hugo. He was a
simple soul, and this was a complex situation. His mind leaped from
mother to wife, and back again, joltingly. After all, one woman at a
time is all that any man can handle successfully.
"What's got into you women folks!" he would say. "Always quarrelling.
Why can't you get along."
One night after dinner Lil said, quite innocently, "Mother, we haven't a
decent picture of you. Why don't you have one taken? In your black
lace."
Old lady Mandle broke into sudden fury. "I guess you think I'm going to
die! A picture to put on the piano after I'm gone, huh? 'That's my dear
mother that's gone.' Well, I don't have any picture taken. You can think
of me the way I was when I was alive."
Public-domain text, read in full here on John Shaqi.
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