You are dressed now. You look at the door--the only door of the room
except that of the closet (closet?) from which you entered it. You walk
to the door and before you try the knob, you see the small typewritten
sign pasted just above it that reads:
This door has a time lock set to open in one hour. For reasons you
will soon understand, it is better that you do not leave this room
before then. There is a letter for you on the desk. Please read it.
It is not signed. You look at the desk and see that there is an envelope
lying on it.
You do not yet go to take that envelope from the desk and read the
letter that must be in it.
Why not? Because you are frightened.
You see other things about the room. The lighting has no source that you
can discover. It comes from nowhere. It is not indirect lighting; the
ceiling and the walls are not reflecting it at all.
[Illustration: Illustrated by VIDMER]
They didn't have lighting like that, back where you came from. What did
you mean by _back where you came from_?
You close your eyes. You tell yourself: _I am Norman Hastings. I am an
associate professor of mathematics at the University of Southern
California. I am twenty-five years old, and this is the year nineteen
hundred and fifty-four._
You open your eyes and look again.
* * * * *
They didn't use that style of furniture in Los Angeles--or anywhere else
that you know of--in 1954. That thing over in the corner--you can't even
guess what it is. So might your grandfather, at your age, have looked at
a television set.
You look down at yourself, at the shimmering garment that you found
waiting for you. With thumb and forefinger you feel its texture.
It's like nothing you've ever touched before.
_I am Norman Hastings. This is nineteen hundred and fifty-four._
Suddenly you must know, and at once.
You go to the desk and pick up the envelope that lies upon it. Your name
is typed on the outside: _Norman Hastings_.
Your hands shake a little as you open it. Do you blame them?
There are several pages, typewritten. Dear Norman, it starts. You turn
quickly to the end to look for the signature. It is unsigned.
You turn back and start reading.
"Do not be afraid. There is nothing to fear, but much to explain. Much
that you must understand before the time lock opens that door. Much that
you must accept and--obey.
"You have already guessed that you are in the future--in what, to you,
seems to be the future. The clothes and the room must have told you
that. I planned it that way so the shock would not be too sudden, so you
would realize it over the course of several minutes rather than read it
here--and quite probably disbelieve what you read.
"The 'closet' from which you have just stepped is, as you have by now
realized, a time machine. From it you stepped into the world of 2004.
The date is April 7th, just fifty years from the time you last remember.
"You cannot return.
Public-domain text, read in full here on John Shaqi.
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