Halleck's New English LiteratureHalleck, Reuben Post
History
Halleck's New English Literature
Halleck, Reuben Post
English literature -- History and criticism
Henry Fielding, 1707-1754.--The greatest novelist of the eighteenth
century, and one of the greatest that England ever produced, was Henry
Fielding, who was born in Sharpham Park, Somersetshire. After
graduating at the University of Leyden, he became a playwright, a
lawyer, a judge of a police court, and, most important of all, a
novelist, or a historian of society, as he preferred to style himself.
When Richardson's _Pamela_ appeared, Fielding determined to write a
story caricaturing its morality and sentiment, which he considered
hypocritical. Before he had gone very far he discovered where his
abilities lay, and, abandoning his narrow, satiric aims, he wrote
_Joseph Andrews_ (1742), a novel far more interesting than _Pamela_.
_Jonathan Wild the Great_ (1743) tells the story of a rogue who was
finally hanged. In 1749 appeared Fielding's masterpiece, _Tom Jones_,
and in 1751 his last novel, _Amelia_.
Richardson lacks humor, but Fielding is one of the greatest humorists
of the eighteenth century. Fielding is also a master of plot. From all
literature, Coleridge selected, for perfection of plot, _The
Alchemist, Oedipus Tyrannus_, and _Tom Jones_.
Fielding's novels often lack refinement, but they palpitate with life.
His pages present a wonderful variety of characters, chosen from
almost all walks of life. He could draw admirable portraits of women.
Thackeray says of Amelia, the heroine of the novel that bears her
name:--
"To have invented that character, is not only a triumph of art, but
it is a good action. They say it was in his own home that Fielding
knew her and loved her, and from his own wife that he drew the most
charming character in English fiction... I admire the author of
_Amelia_, and thank the kind master who introduced me to that sweet
and delightful companion and friend. _Amelia_, perhaps, is not a
better story than _Tom Jones_, but it has the better ethics; the
prodigal repents at least before forgiveness,--whereas that odious
broad-backed Mr. Jones carries off his beauty with scarce an
interval of remorse for his manifold errors and shortcomings... I
am angry with Jones. Too much of the plum cake and rewards of life
fall to that boisterous, swaggering young scapegrace."[1]
The "prodigal" to whom Thackeray refers is Captain Booth, the husband
of Amelia, and "Mr. Jones" is the hero of _Tom Jones_. Fielding's
wife, under the name of Sophia Western, is also the heroine of _Tom
Jones_. It is probable that in the characters of Captain Booth and Tom
Jones, Fielding drew a partial portrait of himself. He seems, however,
to have changed in middle life, for his biographer, Austin Dobson,
says of him: "He was a loving father and a kind husband; he exerted
his last energies in philanthropy and benevolence; he expended his
last ink in defence of Christianity."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account