Fielding shows the eighteenth-century love of satire. He hates that hypocrisy which tries to conceal itself under a mask of morality. In the evolution of the plots of his novels, he invariably puts such characters in positions that tear away their mask. He displays almost savage pleasure in making them ridiculous. Perhaps the lack of spirituality of the age finds the most ample expression in his pages; but Chaucer's Parish Priest and Fielding's Parson Adams are typical of those persisting moral forces that have bequeathed a heritage of power to England. [Illustration: LAURENCE STERNE.] [Illustration: UNCLE TOBY AND CORPORAL TRIM. _From a drawing by B. Westmacott_.] [Illustration: TOBIAS SMOLLETT.] Sterne and Smollett.--With Richardson and Fielding it is customary to associate two other mid-eighteenth century novelists, Lawrence Sterne (1713-1768) and Tobias Smollett (1721-1771). Between 1759 and 1767 Sterne wrote his first novel, _The Life and Opinions of Tristram Shandy, Gentleman_, which presents the delightfully comic and eccentric members of the Shandy family, among whom Uncle Toby is the masterpiece. In 1768 Sterne gave to the world that compound of fiction, essays, and sketches of travel known as _A Sentimental Journey through France and Italy_. The adjective "sentimental" in the title should be specially noted, for it defines Sterne's attitude toward everything in life. He is habitually sentimental in treating not only those things fitted to awaken deep emotion, but also those trivial incidents which ordinarily cause scarcely a ripple of feeling. Although he is sometimes a master of pathos, he frequently gives an exhibition of weak and forced sentimentalism. He more uniformly excels in subtle humor, which is his next most conspicuous characteristic. _Roderick Random_ (1748), _Peregrine Pickle_ (1751), and _The Expedition of Humphrey Clinker_ (1771) are Smollett's best novels. They are composed mainly of a succession of stirring or humorous incidents. In relying for interest more on adventure than on the drawing of character, he reverts to the picaresque type of story.