Halleck's New English LiteratureHalleck, Reuben Post
History
Halleck's New English Literature
Halleck, Reuben Post
English literature -- History and criticism
The Relation of Richardson, Fielding, Sterne, and
Smollett to Subsequent Fiction.--Although the modern reader
frequently complains that these older novelists often seem heavy, slow
in movement, unrefined, and too ready to draw a moral or preach a
sermon, yet these four men hold an important place in the history of
fiction. With varying degrees of excellence, Richardson, Fielding, and
Sterne all have the rare power of portraying character from within, of
interpreting real life. Some novelists resort to the far easier task
of painting merely external characteristics and mannerisms. Smollett
belongs to the latter class. His effective focusing of external
peculiarities and caricaturing of exceptional individuals has had a
far-reaching influence, which may be traced even in the work of so
great a novelist as Charles Dickens. Fielding, on the other hand, had
great influence of Thackeray, who has recorded in _The English
Humorists of the Eighteenth Century_ his admiration for his earlier
fellow-craftsman.
Although subsequent English fiction has invaded many new fields,
although it has entered the domain of history and of sociology, it is
not too much to say that later novelists have advanced on the general
lines marked out by these four mid-eighteenth century pioneers. We may
even affirm with Gosse that "the type of novel invented in England
about 1740-50 continued for sixty or seventy years to be the only
model for Continental fiction; and criticism has traced in every
French novelist, in particular, the stamp of Richardson, if not of
Sterne, and of Fielding."
PHILOSOPHICAL, HISTORICAL, AND POLITICAL PROSE
Philosophy.--Although the majority of eighteenth-century writers
disliked speculative thought and resolutely turned away from it, yet
the age produced some remarkable philosophical works, which are still
discussed, and which have powerfully affected later thought. David
Hume (1711-1776) is the greatest metaphysician of the century. He
took for his starting point the conclusions of a contemporary
philosopher, George Berkeley (1685-1753).
Berkeley had said that ideas are the only real existing entities, that
matter is merely another term for the ideas in the Mind of the
Infinite and has no existence outside of mind. He maintained that if
every quality should be taken away from matter, no matter would
remain; _e.g._, if color, sweetness, sourness, form, and all other
qualities should be taken away from an apple, there would be no apple.
Now, a quality is a mental representation based on a sensation, and
this quality varies as the sensation varies; in other words, the
object is not a stable immutable thing. It is only a thing as I
perceive it. Berkeley's idealistic position was taken to crush
atheistic materialism.
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