Continuing past the kitchens the passage turns to the right and comes out at the north-west angle of the Fountain Court, before reaching which point, however, the entrance to the Chapel is passed on the left. On either side of the Chapel door are to be seen, carved, coloured, and gilt, the arms of Henry the Eighth and Seymour with the initials of the King and the Queen (of the moment) united by a true lover's knot. The true lover's knot was but a slip knot to the fickle king, the Queen Jane's arms and cipher but replaced the earlier ones of Anne's. [Illustration: THE POND GARDEN] The present chapel was one of King Henry's additions--Wolsey's original chapel being either entirely demolished or so altered as to be made anew. It has been surmised that had the great Churchman's edifice remained it would have been something externally beautiful and notable, whereas the present building is so much hidden that I have more than once known visitors to point out the Great Hall as being the Chapel. If the King did not make much of the Chapel externally, he lavished attention on it internally, so that a German visitor toward the close of the sixteenth century was able to wax enthusiastic as to its splendour. Above the public entrance near the Fountain Court is the great Royal Pew--entered from the Haunted Gallery--with a painted ceiling. Though the Chapel dates from Tudor times, it must be remembered that its interior was rearranged and redecorated in the reign of Queen Anne, and that those responsible for the work were by no means hampered by any pedantic ideas of congruity. A matter of grievance to many visitors is that the Chapel is not thrown open to the public. It can only be seen at service time. VI