And to Mrs. Hart's apartment he at once proceeded, and, by dint of his
easy assurance, soon succeeded in leading her, as he had already done
the rest, into a discussion of the one topic for which he had an
interest. He had not time, however, to glean much from her, for, just as
she was making the admission that Mr. Mansell had not been home at the
time of the murder, a knock was heard at the door, and, with an affable
bow and a short, quick stare of surprise at Mr. Byrd, the ubiquitous Mr.
Brown stepped in and took a seat on the sofa, with every appearance of
intending to make a call.
At this third check, Mr. Byrd was more than annoyed. Rising, however,
with the most amiable courtesy, he bowed his acknowledgments to the
landlady, and, without heeding her pressing invitation to remain and
make the acquaintance of Mr. Brown, left the room and betook himself
back to the parlors.
He was just one minute too late. The last of the boarders had gone
up-stairs, and only an empty room met his eyes.
He at once ascended to his own apartment. It was on the fourth floor.
There were many other rooms on this floor, and for a moment he could not
remember which was his own door. At last, however, he felt sure it was
the third one from the stairs, and, going to it, gave a short knock in
case of mistake, and, hearing no reply, opened it and went in.
The first glance assured him that his recollection had played him false,
and that he was in the wrong room. The second, that he was in that of
Mr. Mansell. The sight of the small model of a delicate and intricate
machine that stood in full view on a table before him would have been
sufficient assurance of this fact, even if the inventor himself had been
absent. But he was there. Seated at a table, with his back to the door,
and his head bowed forward on his arms, he presented such a picture of
misery or despair, that Mr. Byrd felt his sympathies touched in spite of
himself, and hastily stumbling backward, was about to confusedly
withdraw, when a doubt struck him as to the condition of the deathly,
still, and somewhat pallid figure before him, and, stepping hurriedly
forward, he spoke the young man's name, and, failing to elicit a
response, laid his hand on his shoulder, with an apology for disturbing
him, and an inquiry as to how he felt.
The touch acted where the voice had failed. Leaping from his partly
recumbent position, Craik Mansell faced the intruder with indignant
inquiry written in every line of his white and determined face.
"To what do I owe this intrusion?" he cried, his nostrils expanding and
contracting with an anger that proved the violence of his nature when
aroused.
Public-domain text, read in full here on John Shaqi.
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