"First, to my carelessness," responded Mr. Byrd; "and, secondly----" But
there he paused, for the first time in his life, perhaps, absolutely
robbed of speech. His eye had fallen upon a picture that the other held
clutched in his vigorous right hand. It was a photograph of Imogene
Dare, and it was made conspicuous by two heavy black lines which had
been relentlessy drawn across the face in the form of a cross.
"Secondly," he went on, after a moment, resolutely tearing his gaze away
from this startling and suggestive object, "to my fears. I thought you
looked ill, and could not forbear making an effort to reassure myself
that all was right."
"Thank you," ejaculated the other, in a heavy weariful tone. "I am
perfectly well." And with a short bow he partially turned his back, with
a distinct intimation that he desired to be left alone.
Mr. Byrd could not resist this appeal. Glad as he would have been for
even a moment's conversation with this man, he was, perhaps
unfortunately, too much of a gentleman to press himself forward against
the expressed wishes even of a suspected criminal. He accordingly
withdrew to the door, and was about to open it and go out, when it was
flung violently forward, and the ever-obtrusive Brown stepped in.
This second intrusion was more than unhappy Mr. Mansell could stand.
Striding passionately forward, he met the unblushing Brown at full tilt,
and angrily pointing to the door, asked if it was not the custom of
gentlemen to knock before entering the room of strangers.
"I beg pardon," said the other, backing across the threshold, with a
profuse display of confusion. "I had no idea of its being a stranger's
room. I thought it was my own. I--I was sure that my door was the third
from the stairs. Excuse me, excuse me." And he bustled noisily out.
This precise reproduction of his own train of thought and action
confounded Mr. Byrd.
Turning with a deprecatory glance to the perplexed and angry occupant of
the room, he said something about not knowing the person who had just
left them; and then, conscious that a further contemplation of the stern
and suffering countenance before him would unnerve him for the duty he
had to perform, hurriedly withdrew.
XIV.
A LAST ATTEMPT.
When Fortune means to men most good,
She looks upon them with a threatening eye.--KING JOHN.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account