The extreme to which unreasonable fear of the bites of spiders influenced the popular mind was evidenced by the accepted explanation of the remarkable dancing mania, or tarantism, of Italy during the Middle Ages. This was a nervous disorder, supposed to be due to the bite of a spider, the European tarantula (fig. 4), though it was also, at times, attributed to the bite of the scorpion. In its typical form, it was characterized by so great a sensibility to music that under its influence the victims indulged in the wildest and most frenzied dancing, until they sank to the ground utterly exhausted and almost lifeless. The profuse perspiring resulting from these exertions was supposed to be the only efficacious remedy for the disease. Certain forms of music were regarded as of especial value in treating this tarantism, and hence the name of "tarantella" was applied to them. Our frontispiece, taken from Athanasius Kircher's _Magnes sive de Arte Magnetica_, 1643 ed., represents the most commonly implicated spider and illustrates some of what Fabre has aptly designated as "medical choreography." The disease was, in reality, a form of hysteria, spreading by sympathy until whole communities were involved, and was paralleled by the outbreaks of the so-called St. Vitus's or St. John's dance, which swept Germany at about the same time (fig. 5). The evidence that the spider was the cause of the first is about as conclusive as is that of the demoniacal origin of the latter. The true explanation of the outbreaks is doubtless to be found in the depleted physical and mental condition of the people, resulting from the wars and the frightful plagues which devastated all Europe previous to, and during these times. An interesting discussion of these aspects of the question is to be found in Hecker. [Illustration: 5. Dancing mania. Illustration from Johann Ludwig Gottfried's Chronik. 1632.]