=The Façades.=--The exterior walls of the Library are constructed
wholly of granite, quarried in Concord, New Hampshire. The stone is
a close-grained variety, so even and light in tone that when the
sun is shining upon it the effect is almost as brilliant as if a
white marble had been used. The massive buttresses which support the
Octagon at each of its eight corners, and so much of the Octagon wall
as is visible from the outside, are also granite, but of a different
quality, slightly darker in hue, and coming from quarries in Maryland.
[Illustration: NYMPH AND SEA-HORSE, FROM THE FOUNTAIN.]
The Library is in three stories: the basement story of fourteen feet;
the first story, or main library floor, of twenty-one feet; and the
second story of twenty-nine feet-making a height of sixty-four feet
for the three stories at the lowest point. Adding to this the base
at ground level, and the simply designed balustrade which surmounts
the whole, the total height is seventy-two feet above the ground.
Beneath the entire structure is a cellar, below the level of the
ground outside, but within opening upon the interior courts. The
granite of which the walls are constructed is rough, or “rock-faced,”
in the basement story; much more finely dressed in the story above;
and in the second story brought down to a perfectly smooth surface.
The windows in the basement are square-headed, as also on the library
floor, except along the west front, where they are arched, with
ornamental keystones. Throughout the second story they are again
square-headed, but with casings in relief, surmounted by pediments
alternately rounded and triangular, and, along the west front, railed
in at the bottom by false balustrades.
To prevent the monotony incident to a long, unrelieved facade, the
walls are projected at each of the four corners and in the centre
of the east and west sides, into pavilions, which, in addition to
being slightly higher than the rest of the rectangle--thus allowing
space for a low attic-story--are treated with greater richness
and elaboration of ornamental detail. The corners are set with
vermiculated granite blocks--blocks whose surface is worked into
“vermiculations” or “wormings.” The keystones of the window-arches in
the first story are sculptured with a series of heads illustrating
the chief ethnological types of mankind. Along the second-story
front runs a portico supported upon a row of twin columns, each a
single piece of granite, with finely carved Corinthian capitals.
The pedestals which support the columns are connected by granite
balustrades, so that the portico forms a single long balcony, with an
entrance through the windows which look out upon it.
THE ENTRANCE PAVILION.
[Illustration: NEPTUNE, FROM THE FOUNTAIN.]
Public-domain text, read in full here on John Shaqi.
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