The standing figures in the door proper are of women, and represent
Truth (on the right) and Research (on the left). Research holds the
torch of knowledge or learning, and Truth a mirror and a serpent, the
two signifying that in all literature, wisdom (of which the serpent
is the emblem) and careful observation (typified by the mirror, with
its accurate reflection of external objects) must be joined in order
to produce a consistent and truthful impression upon the reader. The
smaller panels below contain a design of conventional ornament with
cherubs or geniuses supporting a cartouche, on which the mirror or
serpent of the larger panels is repeated.
=Mr. Macmonnies’s Bronze Door.=--In Mr. Macmonnies’s design the
tympanum is occupied by a composition which he has entitled, _Minerva
Diffusing the Products of Typographical Art_. The Goddess of Learning
and Wisdom--a fit guardian to preside at the main portal of a great
library--is seated in the centre upon a low bench. On either side is
a winged genius, the messengers of the goddess, each carrying a load
of ponderous folios which she is dispatching as her gift to mankind.
To the right is her owl, perched solemnly on the bench on which she
is sitting. She wears the conventional helmet and breastplate--the
latter the Ægis, with its Medusa’s Head--of ancient art, but in
her wide, full skirt, with its leaf-figure pattern, the artist has
adopted a more modern motive. The Latin title of Mr. Macmonnies’s
subject, _Ars Typographica_, and various symbolical ornaments are
introduced in the background. To the left and right, enclosed in
a laurel wreath, are a Pegasus and a stork. The former stands, of
course, for the poetic inspiration which gives value to literature.
The stork, commonly symbolizing filial piety, may be taken here,
if one chooses, as typifying the faithful care of the inventors of
printing and their disciples in multiplying the product of that
inspiration. To the left, also, are an hour-glass, an inking-ball,
and a printer’s stick; and on the other side of the panel, an ancient
printing-press.
[Illustration: TRADITION--TYMPANUM OF BRONZE DOOR.--BY OLIN L.
WARNER.]
Each of the small panels in the upper portion of the doors below
is in the shape of a tympanum, and is occupied by a conventionally
decorative design composed of a wreath with floating ribbons,
enclosing a cartouche on which are inscribed the words “Honor to
Gutenberg”--the Inventor of Printing. Each of the upright panels
contains the figure of a young and beautiful woman, clad in a robe
of the same design as that worn by Minerva, and carrying two tall
flaming torches. The figure in the left-hand leaf represents _The
Humanities_, the soft contours of her face expressing the gentle
and generous liberalities of learning. Her companion stands for
_Intellect_, and the lines of her face are of a bolder and severer
character.
[Illustration: (decorative archway)]
MAIN
ENTRANCE HALL.
Public-domain text, read in full here on John Shaqi.
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