Handbook of Universal Literature, From the Best and Latest AuthoritiesBotta, Anne C. Lynch (Anne Charlotte Lynch)
History
Handbook of Universal Literature, From the Best and Latest Authorities
Botta, Anne C. Lynch (Anne Charlotte Lynch)
Literature -- History and criticism
2. FABLE.--In fable, as in other fields of literature, Rome was an
imitator of Greece, but nevertheless Phaedrus struck out a new line for
himself, and, through his fables, became not only a moral instructor, but
a political satirist. Phaedrus (fl. 16 A.D.), the originator and only
author of Roman fable, though born in the reign of Augustus, wrote when
the Augustan age had passed away. His works are, as it were, isolated; he
had no contemporaries. Nevertheless, his solitary voice was lifted up when
those of the poet, the historian, and the philosopher were silenced. The
moral and political lessons conveyed in his fables were suggested by the
evils of the times in which he lived. Some of them illustrate the danger
of riches and the comparative safety of obscurity and poverty, in an age
when the rich were marked for destruction, in order that the confiscation
of their property might glut the avarice of the emperor and of his
servants; others were suggested by historical events, being nevertheless
satirical strictures on individuals. The style of Phaedrus is pure and
classical, and combines the simple neatness and graceful elegance of the
golden age with the vigor and terseness of the silver one. He has the
facility of Ovid and the brevity of Tacitus. In the construction of his
fables, he displays observation and ingenuity; but he is deficient in
imagination. He makes his animals the vehicles of his wisdom, but he does
not throw himself into them, or identify himself with them; while they
look and act like animals, they talk like human beings. In this consists
the great superiority of Aesop to his Roman imitator; his brutes are a
superior race, but they are still brutes, and it would seem that the
fabulist had lived among them as one of themselves, had adopted their mode
of life, and conversed with them in their own language. In Phaedrus we
have human sentiments translated into the language of beasts, while in
Aesop we have beasts giving utterance to such sentiments as would be
naturally theirs if they were placed in the position of men.
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