Handbook of Universal Literature, From the Best and Latest AuthoritiesBotta, Anne C. Lynch (Anne Charlotte Lynch)
History
Handbook of Universal Literature, From the Best and Latest Authorities
Botta, Anne C. Lynch (Anne Charlotte Lynch)
Literature -- History and criticism
The first Greek to whom it occurred that a narrative of facts might be
made intensely interesting was Herodotus (484-432 B.C.), a native of
Halicarnassus in Asia Minor, the Homer of Greek history. Obliged, for
political reasons, to leave his native land, he visited many countries,
such as Egypt, Babylon, and Persia, and spent the latter years of his life
in one of the Grecian settlements in Italy, where he devoted himself to
the composition of his work. His travels were undertaken from the pure
spirit of inquiry, and for that age they were very extensive and
important. It is probable that his great and intricate plan, hitherto
unknown in the historical writings of the Greeks, did not at first occur
to him, and that it was only in his later years that he conceived the
complete idea of a work so far beyond those of his predecessors and
contemporaries. It is stated that he recited his history at different
festivals, which is quite credible, though there is little authority for
the story that at one of these Thucydides was present as a boy, and shed
tears, drawn forth by his own desire for knowledge and his intense
interest in the narrative. His work comprehends a history of nearly all
the nations of the world at that time known. It has an epic character, not
only from the equable and uninterrupted flow of the narrative, but also
from certain pervading ideas which give a tone to the whole. The principal
of these is the idea of a fixed destiny, of a wise arrangement of the
world, which has prescribed to every being his path, and which allots ruin
and destruction not only to crime and violence, but to excessive power and
riches and the overweening pride which is their companion. In this
consists the envy of the gods so often mentioned by Herodotus, and usually
called by the other Greeks the divine Nemesis. He constantly adverts in
his narrative to the influence of this divine power, the Daemonion, as he
calls it. He shows how the Deity visits the sins of the ancestors upon
their descendants, how man rushes, as it were, wilfully upon his own
destruction, and how oracles mislead by their ambiguity, when interpreted
by blind passion. He shows his awe of the divine Nemesis by his moderation
and the firmness with which he keeps down the ebullitions of national
pride. He points out traits of greatness of character in the hostile kings
of Persia, and shows his countrymen how often they owed their successes to
Providence and external advantages rather than to their own valor and
ability. Since Herodotus saw the working of a divine agency in all human
events, and considered the exhibition of it as the main object of his
history, his aim is totally different from that of a historian who regards
the events of life merely with reference to men. He is, in truth, a
theologian and a poet as well as a historian. It is, however, vain to deny
that when Herodotus did not see himself the events which he describes, he
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