Handbook to the Mennonite HymnaryHostetler, Lester
Religion
Handbook to the Mennonite Hymnary
Hostetler, Lester
Hymns, English -- History and criticism; Mennonites -- Hymns -- History and criticism
Since the standard of music and words in the Gospel Songs is
considerably below that which prevails in our best hymnals as well as in
secular music and literature taught in the public schools, churches
should seriously consider the ultimate effect of their too frequent use.
It is a fallacy to assert that the people will respond to nothing
better. Gospel Songs have a legitimate place, particularly in special
services and revivals, but they leave much to be desired in the total
work and worship of the church. Neither the music nor the words possess
the strength and dignity entirely adequate for the worshipful praise of
the Eternal.
The principal names associated with Gospel Songs are the following:
_Authors._ Fanny J. Crosby, Philip P. Bliss, Robert Lowry, Katherine
Hankey, E. A. Hoffman, and many others. Most of the words, though not
all, were written by Americans during the latter part of the nineteenth
century. Miss Crosby was by far the most prolific of them all and many
of her works are found in all modern hymnals of denominations that use
this type of music. In Germany, Ernst Gebhardt became the leader of the
gospel song movement, composing words and music, publishing numerous
song books, and serving as song leader in great revival meetings.
_Music._ William B. Bradbury, Robert Lowry, W. H. Doane, Philip Philips,
James McGranahan, George C. Stebbins, P. P. Bliss, D. W. Towner, Wm. J.
Kirkpatrick, and others.
_Song Leaders._ P. P. Bliss, Ira Sankey, James McGranahan, George C.
Stebbins, Charles Alexander, Homer Rodeheaver.
It should be noted that there is no absolute line of demarcation between
hymns and some of the Gospel Songs. Some of the numbers in the Gospel
Songs section of the _Hymnary_ might well be classified as hymns, e.g.,
Nos. 441, 444, 447, 458, 463, 468, 470, 471, 472, and 492. Either words
or music meet the generally accepted standards of a hymn.
12. Women Hymn Writers.
There have been no outstanding women composers of church tunes but some
of our finest lyrics have been contributed by women, as the following
list from the _Hymnary_ will show:
Public-domain text, read in full here on John Shaqi.
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