Handbook to the Mennonite HymnaryHostetler, Lester
Religion
Handbook to the Mennonite Hymnary
Hostetler, Lester
Hymns, English -- History and criticism; Mennonites -- Hymns -- History and criticism
A word may be in order concerning the translation of hymns. It is
difficult to transfer the color and feeling of one language to another.
For this reason many people who know the German hymns by heart have a
sense of disappointment when they read them in an English version. In
some instances a translation is inferior to the original but this is not
necessarily the case. It is well to remember that nearly all of us read
the Bible only in a translation, yet never doubt the literary quality of
the English King James Version or the German Version of Luther. The
hymn, “Ich weiss einen Strom,” is superior as poetry, and in its
religious feeling, to the English original, “O have you not heard of
that beautiful stream,” though the former is a translation of the
latter. The reason is that Gebhardt, the translator, was a poet in his
own right. Good translations are possible if the translator has poetic
ability of a high order, and if he translates into his native tongue.
Catherine Winkworth was the foremost translator of German hymns into
English and Ernst Gebhardt performed a similar role in translating
English and American hymns into German. Had either tried to do the work
of the other, the results would in all probability have lacked true
color and correct idiomatic and poetic expression.
16. Church Unity in the Hymnbook.
The unity of the Christian Church is expressed nowhere more eloquently
than in the hymns we sing. Every modern hymnal, regardless of the
denominational interest it represents, reaches across the ages to gather
its treasures from sources new and old; it knows nothing of the external
barriers which divide Christians into denominations, but makes use of
the hymns of widely divergent Christian groups. The _Mennonite Hymnary_
is no exception. Here are found hymns from the early church, East and
West, translated from the Greek and Latin fathers. Others, like
Savonarola’s hymn, come from the Middle Ages. Many are chorales from the
land of Luther, or metrical psalms from the Calvinistic reformers. A
substantial body of our hymnody stems from the Anglican Church, while
some of our best hymns are from sturdy independents like Watts and
Doddridge, and still others breathe the evangelistic fervor of Wesley,
Cowper, and Newton. The Quakers too have made their contribution as well
as certain Roman Catholics and Unitarians. In no aspect of our church
life do we attain so nearly to ecumenicity as in our worship in song.
Christians may differ widely in their religious views but they are able
to unite as one body in singing their songs of praise.
The following classification of hymns by denominations is far from
exhaustive. It is intended merely to suggest the wealth of material
drawn from many denominations, listing only representative writers
together with a representative hymn. The index of authors may be
consulted for a complete list of hymns written by each author.
Public-domain text, read in full here on John Shaqi.
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