Handbook to the Mennonite HymnaryHostetler, Lester
Religion
Handbook to the Mennonite Hymnary
Hostetler, Lester
Hymns, English -- History and criticism; Mennonites -- Hymns -- History and criticism
For comments on Jessie Brown Pounds, see Hymn 453.
Her song poem has gone around the world on the wings of this tune
composed by Fred A. Fillmore, of the musically famous Fillmore brothers.
See comments at Hymn 453. Fred A. was born May 15, 1856, at Paris,
Illinois.
499. Judge me, God of my salvation _Psalm 43_
A metrical version of Psalm 43 which may be compared with the version
from the Scottish Psalter at No. 587. The fifth verse of the Psalm is
made to serve as the refrain. The poet who made the version has not been
identified. The hymn and tune were taken from the _Psalter_ of the
United Presbyterian Church.
_MUSIC._ AMARA was composed by William O. Perkins, concerning whom no
information has been found.
500. I can hear my Savior calling _E. W. Blandy_
An intimate hymn of personal consecration. The repetition of the phrases
and the close harmony of the music have made the use of this song, even
without the aid of an accompanying instrument, easy and enjoyable. No
information has been found concerning the author, E. W. Blandy
(misspelled Blandly in the _Hymnary_).
_MUSIC._ WHERE HE LEADS ME is admirably suited to the words. No
information has come to light concerning the composer, J. S. Norris.
501. And must I be to judgment brought _Charles Wesley_, 1707-88
The hymn, originally in eight stanzas, was entitled “A Thought on
Judgment” and was written for children! Why Wesley wrote such
serious-minded hymns for children is explained in his preface to _Hymns
for Children_, from which this hymn is taken:
There are two ways of writing or speaking to children. The one is to
let ourselves down to them; the other, to lift them up to us. Dr.
Watts wrote in the former way, and has succeeded admirably well,
speaking to children as children and leaving them as he found them.
The following hymns are written on the other plan. They contain strong
and manly sense, yet expressed in such plain and easy language as even
children may understand. But when they do understand them, they will
be children no longer—only in years and in stature.
For comments on Charles Wesley, see Hymn 6.
_MUSIC._ MARLOW was composed by Rev. John Chetham, 1700-63, an English
clergyman, curate of Skipton.
502. Savior, lead me lest I stray _Frank M. Davis_, 1839-96
The words and music were written on the deck of a steamer that plied
between Baltimore and Savannah.
Public-domain text, read in full here on John Shaqi.
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