Handbook to the Mennonite HymnaryHostetler, Lester
Religion
Handbook to the Mennonite Hymnary
Hostetler, Lester
Hymns, English -- History and criticism; Mennonites -- Hymns -- History and criticism
Frank M. Davis was born on a farm near Marcellus, New York, the youngest
of a family of ten children. He began composing tunes at an early age
and became a teacher of vocal and instrumental music. He travelled
extensively through the eastern and southern states, directing chorus
choirs and teaching vocal classes. He compiled several Sunday school
collections, among them _New Pearls of Song_, 1877, and _Notes of
Praise_, of which more than 100,000 copies were sold. Davis is the
author of over 100 vocal and instrumental compositions. He died suddenly
of heart failure at Chesterfield, Indiana, where he was attending a camp
meeting.
503. My days are gliding swiftly by _David Nelson_, 1793-1844
A hymn written by a preacher while hiding from pursuing slave-holders
whose anger and violence were aroused by Nelson’s aggressive
anti-slavery views.
David Nelson, a surgeon in the U. S. Army during the war of 1812, left
his profession to become a minister, meanwhile owning and operating a
plantation in Missouri. After listening to an address on slavery, he
declared himself in favor of freeing the slaves and advocated the plan
of colonizing them in Africa. This so enraged some of the slave-holders
that they drove Nelson from his home. To avoid mob violence, he escaped,
reaching, after three days and nights of wandering, the Mississippi
River opposite Quincy, Illinois. Hiding there in the bushes, with his
pursuers near but unable to find him, the river gliding swiftly before
him, he wrote this hymn on the back of old letters he had in his pocket.
He was finally rescued by members of the Quincy Congregational Church
who, having learned of his plight, took him on a fishing canoe and rowed
him across the river, still pursued, to safety and friends, on the
hospitable shore of a free state.
_MUSIC._ SHINING SHORE, one of the composer’s most popular tunes, has
been given various arrangements for voice and instruments. Root has
written concerning the origin of the tune:
Public-domain text, read in full here on John Shaqi.
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